ION
The rustic scenes have little bearing on the play; are they necessary
to Shakespeare's art in order to throw a clear light on the character
of his protagonists?
X
THE ETHICS OF "THE WINTER'S TALE"
"The Winter's Tale" gives examples of meritorious actions losing their
virtue with the progress of ideas; for example, the civic virtue,
allegiance to the king, is what Leontes depends upon in his talk with
Camillo, with Antigonus, and the other lords. Note Camillo's reason
for not poisoning Polixenes to order,--that it is risky to kill a king
even at command of a king. That such a reason would be considered
small moral support to-day appears, for example, in the indignation or
amusement expressed in the newspapers on the German Emperor's address
to his army on the soldier's duty of obedience. In Shakespeare's day a
king had taken matters in his own hands in the trial of his wife, much
as Leontes did (see "Henry VIII".). The moral significance of
Hermione's patience under accusation appears in the long reparation
she requires. Paulina is made to speak for her during her seclusion.
What are the "secret purposes" which Shakespeare makes her subserve?
Observe that, if the fulfilment of the oracle and the restoration of
the child were all Paulina anticipates, there would be no use in her
remonstrances against a second marriage and in her goading the king to
remorse.
QUERIES FOR DISCUSSION
Does Shakespeare's ideal of love and constancy, as revealed in 'The
Winter's Tale,' imply that second marriages are offences against the
first. Has the objection Paulina makes to his re-marriage such a cause
or is it a necessity of the plot?
Does the way of telling "The Winter's Tale" indicate the passing away
of aristocratic and the formation of democratic ideals, and the
dawning change in the _status_ both of woman and the commoner?
***END OF THE PROJECT GUTENBERG EBOOK SHAKESPEARE STUDY PROGRAMS; THE
COMEDIES***
******* This file should be named 14699.txt or 14699.zip *******
This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/1/4/6/9/14699
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying c
|