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eynolds the unique position which he occupies amongst the humorous artists of to-day. [Illustration: LITTLE WILLIE: You'll catch it, Gerald, when mother sees you! GERALD: Why? Is my collar dirty? _From "Punch."_] For unique his position is. Other men are as funny as he, perhaps funnier. For when a determined man sets out with a fixed and unshakeable resolve to tickle your fancy, there is no limit to the means he may adopt to catch you unawares, and it shall go hard with him but he extorts from you a laugh, however tardy. Frank Reynolds makes no such desperate efforts. One might say, indeed, that he makes no effort at all. His simple method is to set down--with the most refined and delicate art--just one of those little scenes or incidents which everyone may every day everywhere witness. [Illustration] Spectators of such a scene in real life, it is possible--probable, in fact--that we were in no way edified or amused. Not the veriest ghost of a smile, it is likely, flickered across our faces. But reproduced by the subtle humour of the artist, the inherent comedy of the situation stands revealed, and we chuckle. And our enjoyment is the greater for the skill with which the means are concealed by which this magical transformation is effected. We feel that we have discovered the comedy ourselves, not that it has been shown to us. The characters are so perfectly natural, so precisely as we know them and have seen them day after day. The secret lies in the artist's power of restraint. He exaggerates, he caricatures,--he must do so to bring his point home to our dull wits. But he does it with such nicety that the exaggeration and the caricature are unnoticed. Indeed, the terms are misleading. It is better to say that he _emphasises_. Frank Reynolds reminds me, if he will forgive my saying so, of a certain profane 'bus-driver whom I have the privilege to number amongst my acquaintance. With this close student of human nature I have had the good fortune to enjoy frequent conversations, and many are the gestures which I recall of the whip-hand towards the pavement, accompanied by the remark (in effect), "Lumme, what funny things a bloke _do_ see!" I confess freely that often I should entirely miss, but for the observant jerk of the whip, the said "funny thing"; and it is just that service which the friendly busman renders to me, as it appears to my mind, that Frank Reynolds performs for the community at large.
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