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It is very true that to know mankind only through books is no knowledge of mankind at all; but ever since man discovered how to perpetuate his utterances in writing it has been increasingly true that literature is the principal means of widening and deepening such knowledge. This object of literary studies, the formation of a personality fitted for civilised life, may be summed up in the familiar graceful words of Ovid, who was thinking almost entirely of literature when he wrote ingenuas didicisse fideliter artes Emollit mores nec sinit esse feros. And it is only the lack, in so many of the greatest writers, and the neglect, in so many educators and educational systems, of that due balance of qualities and acquirements of which I spoke just now, which have induced in superficial minds a distrust and often a contempt of literature as a subject of education. The good citizen or man of the world--in the best sense of the phrase--must not be the slave of literary proclivities to the ruin of his functions as father or husband or friend or man of action and affairs. The world of letters, if lived in too exclusively, is an unreal world, though without it the actual world is almost meaningless. Now the _genus irritabile vatum_, even when their thoughts, as Carlyle put it, "enrich the blood of the world," have very generally appeared to the plain man of goodwill as very defective in the art of living. If their aspirations have been above the standards of their day, their practice has often been below them in such essentially social qualities as probity, faithfulness, consideration for others. Moreover their outlook upon life, intense and inspiring though it be, is often a very partial one. Even so, it does not follow that because a poet or a philosopher is not in every respect "the compleat gentleman," a citizen _totus teres atque rotundus_, his works are not profitable for the building up of that character. If it did, we must by parity of reasoning discard the discoveries of a misanthropic inventor and the theories of a bigamous chemist. We go to Plato and Catullus, to Shakespeare and Shelley, for what they have to give: if we go with our own pet notions of what that ought to be, we are naturally as disgusted as Herbert Spencer was with Homer and Tolstoy with Shakespeare. Tolstoy is indeed a case in point. He is one of the giants of literature, whose masterpieces are already classics; and this position is
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