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e three were seated in the drawing-room after dinner, and Sir Elphinstone beginning to grow impatient for his game of piquet. On the hearth-rug before the fire were stretched Godolphus and three of Miss Sally's prize setters; but Godolphus had the warmest corner, and dozed there stertorously. The book chanced to be Gautier's _Emaux et Camees_, and Tilda to open it at the _Carnaval de Venise_-- "Il est un vieil air populaire Par tous les violons racle, Aux abois de chiens en colere Par tous les orgues nasille." She read the first verse with a pure clear accent and paused, with a glance first at the hearth-rug, then at Sir Elphinstone in his chair. Perhaps the sight of him stirred a small flame of defiance. At any rate she closed the book, went straight to the piano, and recklessly rattled out the old tune, at once so silly and haunting. Had she not heard it a thousand times in the old circus days? Her eyes were on the keyboard. Hardly daring to lift them, she followed up the air with a wild variation and dropped back upon it again--not upon the air pure and simple, but upon the air as it might be rendered by a two-thirds-intoxicated coachful of circus bandsmen. The first half-a-dozen bars tickled Miss Sally in the midriff, so that she laughed aloud. But the laugh ended upon a sharp exclamation, and Tilda, still jangling, looked up as Sir Elphinstone chimed in with a "What the devil!" and started from his chair. 'Dolph was the cause of it. 'Dolph at the first notes had lifted his head, unobserved. Then slowly raising himself on his rheumatic fore-legs, the old dog heaved erect and waddled towards the piano. Even so no one paid any heed to him until, halting a foot or so from the hem of Tilda's skirt, he abased his head to the carpet while his hind-legs strained in a grotesque effort to pitch his body over in a somersault. It was at this that Sir Elphinstone had exclaimed. Tilda, glancing down sideways across her shoulder, saw and checked a laugh. She understood. She let her fingers rest on a crashing chord, and rose from the music-stool as the dog rolled over on his flank. "'Dolph! My poor old darling!" She knelt to him, stretching out her arms. The candlelight fell on them, and on the sheen of her evening frock, and on the small dark curls clustering on the nape of her bowed neck; and by the same light 'Dolph lifted his head and gazed up at her. That look endured for fiv
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