FREE BOOKS

Author's List




PREV.   NEXT  
|<   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149  
150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   >>   >|  
peare's country into motion; but on the river I could put myself in motion, which amounts to the same thing. With the cinematograph, I grant you, it's mostly the scene that's that in motion while _you_ sit still; but there's also a dodge by which _you're_ in the railway car and flying past the scenery." Tilda nodded. "Maggs 'ad 'old of that trick too. 'E called it _A Trip on the Over'ead Railway, New York._" "Right; and now you see. I allowed that by steering down Avon and keeping my eyes half closed, by the time I reached Tewkesbury I'd have Shakespeare's environment all boiled down and concentrated; and at Tewkesbury I 'd stop and slap in the general impression while it was fresh. But just here I ran my head full-butt against another principle of mine, which is _plein air_." "Wot's that?" "Why, that a landscape should be painted where it stands, and not in the studio." "You couldn' very well paint with one 'and an' paddle with the other," she began; but added in a moment, "Why there's Arthur Miles, o' course! doin', as ush'al, while the others are talkin'. That child brings luck w'erever 'e goes." "You think that I could change places and trust him to steer." "Think? Why for the las' ten minutes 'e _'as_ been steerin'?" So below Cleeve they changed places, Mr. Jessup settling himself amidships with his apparatus for sketching, while Arthur Miles was promoted--if the word may be allowed--to the seat astern. For a while he took his new responsibility gravely, with pursed lips and eyes intent on every stroke of the paddle, watching, experimenting, as a turn of the wrist more or less righted or deflected the steering. But in a few minutes he had gained confidence, and again his gaze removed itself from the swirl around the blade and began to dwell on the reaches ahead. They were entering the rich vale of Evesham. On their left the slopes of Marcleeve Hill declined gradually to the open plain; on their right, behind a long fringe of willows, stretched meadow after meadow, all green and flat as billiard-tables. They were passing down through the scene of a famous battle. But the children had never heard of Evesham fight; and Mr. Jessup had mislaid his guide-book. He sat with half-closed eyes, now and again dipping his brush over the gunwale, and anon, for a half-minute or so, flinging broad splashes of water-colour upon his sketching-pad. They were nearing the ferry at Harvington, and a
PREV.   NEXT  
|<   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149  
150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   >>   >|  



Top keywords:

motion

 

Arthur

 

allowed

 

paddle

 

meadow

 

steering

 

Evesham

 

minutes

 

Tewkesbury

 

closed


Jessup

 

places

 

sketching

 
righted
 

deflected

 

apparatus

 
removed
 
amidships
 

confidence

 

gained


settling

 

Cleeve

 
changed
 

promoted

 

stroke

 

watching

 

responsibility

 

gravely

 

intent

 

experimenting


astern

 

pursed

 

Marcleeve

 

dipping

 

mislaid

 

battle

 

famous

 

children

 

gunwale

 

colour


nearing

 

Harvington

 

splashes

 
minute
 

flinging

 

passing

 

slopes

 

entering

 
reaches
 
declined