llecting. The
world was forgiving, to be sure, nor is it probable that either one
of this easily-mated pair suffered any loss of public esteem by the
union. Dukes--nay, even Duchesses--were glad to meet Nance, and
Royalty allowed her to bask in the sunshine of its gracious approval.
"She was to be seen on the terrace at Windsor, walking with the
consorts of dukes, and with countesses, and wives of English barons,
and the whole gay group might be heard calling one another by their
Christian names."
No wonder that the women of fashion, none of them saints, loved
Oldfield and winked at the elasticity of her moral ethics. The dear
creature was so bright in conversation, so full of _espieglerie_, and,
still more important, she looked so charming in her succession of
handsome toilettes, that she could be ever sure of a cordial welcome.
"Flavia," as Steele calls her, "is ever well-dressed, and always
the genteelest woman you meet, but the make of her mind very much
contributes to the ornament of her body. She has the greatest
simplicity of manners of any of her sex. This makes everything look
native about her, and her clothes are so exactly fitted, that they
appear, as it were, part of her person. Every one that sees her knows
her to be of quality; but her distinction is owing to her manner,
and not to her habit. Her beauty is full of attraction, but not of
allurement. There is such a composure in her looks, and propriety in
her dress, that you would think it impossible she should change the
garb you one day see her in, for anything so becoming until you next
day see her in another. There is no mystery in this, but that however
she is apparelled, she is herself the same: for there is so immediate
a relation between our thoughts and gestures that a woman must think
well to look well."
* * * * *
Here, verily, was an actress who could set the town wild by the beauty
and exquisite taste of her costumes, and who was conscientious enough,
nevertheless, to keep the millinery phase of her art modestly in the
background. You, ladies, who depend for theatrical success upon the
elegance of your gowns, and fondly believe that fairness of face and
litheness of figure will atone for a thousand dramatic sins, take
pattern by the industry of Oldfield. It will be a much better pattern
than those over which you are accustomed to worry your pretty heads.
The enterprising dressmakers who go to the play to get
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