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The Project Gutenberg EBook of The Mirror of Literature, Amusement, and Instruction, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Mirror of Literature, Amusement, and Instruction Vol. 19, Issue 544, April 28, 1832 Author: Various Release Date: March 11, 2004 [EBook #11542] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE MIRROR OF LITERATURE *** Produced by Jonathan Ingram, David King, and the Online Distributed Proofreading Team THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION. Vol. 19, No. 544] SATURDAY, APRIL 28, 1832 [Price 2d. * * * * * SWISS COTTAGE, AT THE COLOSSEUM, IN THE REGENT'S PARK. [Illustration: Swiss Cottage, At The Colosseum] It is now upwards of three years since we directed the attention of our readers to the wonders of this little world of art.[1] The ingenious projector, Mr. Horner, was then polite enough to conduct us throughout the buildings and grounds, and to explain to us the original design of the unfinished works as well as of many contemplated additions. This was about three weeks before the Exhibition was opened to the public. The _Panorama_ was then partly in outline, and we had to catch its identities through a maze of scaffolding poles, planks, and stages; while the immense domed area re-echoed with the operations of scores of _artistes_ of every grade, from the upholsterer nailing up gay draperies, to the heavy blow of the carpenter's mallet. We took advantage of our privileged visit, to point out to the reader how much he might expect from a visit to the Panorama, and, in our subsequent visits we have not for a moment regretted the particular attention we were induced to bestow upon this unrivalled work of art. It is justly described to be "such a _Pictoral History of London_--such a faithful display of its myriads of public and private buildings--such an impression of the vastness, wealth, business, pleasure, commerce, and luxury of the English metropolis, as nothing else can effect. Histories, descriptions, maps, and prints, are all imperfect and defective, when compared to this immense Panorama--they are scraps and mere
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