._= (Manual, pp. 501, 521.)

From "Conjectures concerning Torquato Tasso."

=_186._= INTEREST OF TASSO'S LIFE.

There is scarcely any poet whose life excites a more profound and
melancholy interest than that of Torquato Tasso.

His short and brilliant career of glory captivates the imagination,
while the heart is deeply affected by his subsequent misfortunes.
Greater fame and greater misery have seldom been the lot of man, and a
few brief years sufficed for each extreme.

An exile even in his boyhood, the proscription and confiscation suffered
by his father deprived him of home and patrimony. Honor and love, and
the favor of princes, and enthusiastic praise, dazzled his youth. Envy,
malice, and treachery, tedious imprisonment and imputed madness, insult,
poverty, and persecution, clouded his manhood. The evening of his days
was saddened by a troubled spirit, want, sickness, bitter memories, and
deluded hopes; and when at length a transient gleam of sunshine fell
upon his prospects, death substituted the immortal for the laurel crown.

Mystery adds its fascination to his story. The causes of his
imprisonment are hidden in obscurity; it is still disputed whether he
was insane or not.

Few points of literary history, therefore, are more interesting, or more
obscure, than the love, the madness, and the imprisonment of Tasso.

* * * * *

=_George Ticknor, 1791-1871._= (Manual, p. 502.)

From "The History of Spanish Literature."

=_187._= DESIGN OF CERVANTES IN WRITING DON QUIXOTE.

His purpose in writing the Don Quixote has sometimes been enlarged by
the ingenuity of a refined criticism, until it has been made to embrace
the whole of the endless contrast between the poetical and the prosaic
in our natures,--between heroism and generosity on one side, as if they
were mere illusions, and a cold selfishness on the other, as if it were
the truth and reality of life. But this is a metaphysical conclusion
drawn from views of the work at once imperfect and exaggerated; a
conclusion contrary to the spirit of the age, which was not given to a
satire so philosophical and generalizing, and contrary to the character
of Cervantes himself, as we follow it from the time when he first became
a soldier, through all his trials in Algiers, and down to the moment
when his warm and trusting heart dictated the Dedication of "Persiles
and Sigismunda" to the Count de Lemos. His whole spirit, indeed, see