ation, with the free and easy jocularity of a
woman of the camps.
These last words are far too strong, and they represent only Ferrero's
personal opinion; yet there is no doubt that she met every mood of
Antony's so that he became enthralled with her at once. No such woman
as this had ever cast her eyes on him before. He had a wife at home--a
most disreputable wife--so that he cared little for domestic ties.
Later, out of policy, he made another marriage with the sister of his
rival, Octavian, but this wife he never cared for. His heart and soul
were given up to Cleopatra, the woman who could be a comrade in the
camp and a fount of tenderness in their hours of dalliance, and who
possessed the keen intellect of a man joined to the arts and
fascinations of a woman.
On her side she found in Antony an ardent lover, a man of vigorous
masculinity, and, moreover, a soldier whose armies might well sustain
her on the throne of Egypt. That there was calculation mingled with her
love, no one can doubt. That some calculation also entered into
Antony's affection is likewise certain. Yet this does not affect the
truth that each was wholly given to the other. Why should it have
lessened her love for him to feel that he could protect her and defend
her? Why should it have lessened his love for her to know that she was
queen of the richest country in the world--one that could supply his
needs, sustain his armies, and gild his triumphs with magnificence?
There are many instances in history of regnant queens who loved and yet
whose love was not dissociated from the policy of state. Such were Anne
of Austria, Elizabeth of England, and the unfortunate Mary Stuart.
Such, too, we cannot fail to think, was Cleopatra.
The two remained together for ten years. In this time Antony was
separated from her only during a campaign in the East. In Alexandria he
ceased to seem a Roman citizen and gave himself up wholly to the charms
of this enticing woman. Many stories are told of their good fellowship
and close intimacy. Plutarch quotes Plato as saying that there are four
kinds of flattery, but he adds that Cleopatra had a thousand. She was
the supreme mistress of the art of pleasing.
Whether Antony were serious or mirthful, she had at the instant some
new delight or some new charm to meet his wishes. At every turn she was
with him both day and night. With him she threw dice; with him she
drank; with him she hunted; and when he exercised himse
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