was a test to try the soul of any woman. It
proved the height and the depth of her devotion. Come what might,
Maurice should be Duke of Courland, even though she lost him. She
gathered together her whole fortune, sold every jewel that she
possessed, and sent her lover the sum of nearly a million francs.
This incident shows how absolutely she was his. But in fact, because of
various intrigues, he failed of election to the ducal throne of
Courland, and he returned to Adrienne with all her money spent, and
without even the grace, at first, to show his gratitude. He stormed and
raged over his ill luck. She merely soothed and petted him, though she
had heard that he had thought of marrying another woman to secure the
dukedom. In one of her letters she bursts out with the pitiful
exclamation:
I am distracted with rage and anguish. Is it not natural to cry out
against such treachery? This man surely ought to know me--he ought to
love me. Oh, my God! What are we--what ARE we?
But still she could not give him up, nor could he give her up, though
there were frightful scenes between them--times when he cruelly
reproached her and when her native melancholy deepened into outbursts
of despair. Finally there occurred an incident which is more or less
obscure in parts. The Duchesse de Bouillon, a great lady of the
court--facile, feline, licentious, and eager for delights--resolved
that she would win the love of Maurice de Saxe. She set herself to win
it openly and without any sense of shame. Maurice himself at times,
when the tears of Adrienne proved wearisome, flirted with the duchess.
Yet, even so, Adrienne held the first place in his heart, and her rival
knew it. Therefore she resolved to humiliate Adrienne, and to do so in
the place where the actress had always reigned supreme. There was to be
a gala performance of Racine's great tragedy, "Phedre," with Adrienne,
of course, in the title-role. The Duchesse de Bouillon sent a large
number of her lackeys with orders to hiss and jeer, and, if possible,
to break off the play. Malignantly delighted with her plan, the duchess
arrayed herself in jewels and took her seat in a conspicuous stage-box,
where she could watch the coming storm and gloat over the discomfiture
of her rival.
When the curtain rose, and when Adrienne appeared as Phedre, an uproar
began. It was clear to the great actress that a plot had been devised
against her. In an instant her whole soul was afire. The quee
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