FREE BOOKS

Author's List




PREV.   NEXT  
|<   330   331   332   333   334   335   336   337   338   339   340   341   342   343   344   345   346   347   348   349   350   351   352   353   354  
355   356   357   358   359   360   361   362   363   364   365   366   367   368   369   370   371   372   373   374   375   376   377   378   379   >>   >|  
thought it very simple on the part of people who had, like herself, nothing else in prospect but Charmolue and Torterue, and who, unlike himself, did not gallop through the regions of imagination between the wings of Pegasus. From their remarks, he had learned that his wife of the broken crock had taken refuge in Notre-Dame, and he was very glad of it. But he felt no temptation to go and see her there. He meditated occasionally on the little goat, and that was all. Moreover, he was busy executing feats of strength during the day for his living, and at night he was engaged in composing a memorial against the Bishop of Paris, for he remembered having been drenched by the wheels of his mills, and he cherished a grudge against him for it. He also occupied himself with annotating the fine work of Baudry-le-Rouge, Bishop of Noyon and Tournay, _De Cupa Petrarum_, which had given him a violent passion for architecture, an inclination which had replaced in his heart his passion for hermeticism, of which it was, moreover, only a natural corollary, since there is an intimate relation between hermeticism and masonry. Gringoire had passed from the love of an idea to the love of the form of that idea. One day he had halted near Saint Germain-l'Auxerrois, at the corner of a mansion called "For-l'Eveque" (the Bishop's Tribunal), which stood opposite another called "For-le-Roi" (the King's Tribunal). At this For-l'Eveque, there was a charming chapel of the fourteenth century, whose apse was on the street. Gringoire was devoutly examining its exterior sculptures. He was in one of those moments of egotistical, exclusive, supreme, enjoyment when the artist beholds nothing in the world but art, and the world in art. All at once he feels a hand laid gravely on his shoulder. He turns round. It was his old friend, his former master, monsieur the archdeacon. He was stupefied. It was a long time since he had seen the archdeacon, and Dom Claude was one of those solemn and impassioned men, a meeting with whom always upsets the equilibrium of a sceptical philosopher. The archdeacon maintained silence for several minutes, during which Gringoire had time to observe him. He found Dom Claude greatly changed; pale as a winter's morning, with hollow eyes, and hair almost white. The priest broke the silence at length, by saying, in a tranquil but glacial tone,-- "How do you do, Master Pierre?" "My health?" replied Gringoire. "Eh! eh! one can say
PREV.   NEXT  
|<   330   331   332   333   334   335   336   337   338   339   340   341   342   343   344   345   346   347   348   349   350   351   352   353   354  
355   356   357   358   359   360   361   362   363   364   365   366   367   368   369   370   371   372   373   374   375   376   377   378   379   >>   >|  



Top keywords:

Gringoire

 

Bishop

 

archdeacon

 
silence
 

hermeticism

 

passion

 

Claude

 

called

 

Eveque

 
Tribunal

opposite

 
devoutly
 
examining
 

moments

 
exterior
 

shoulder

 

gravely

 

supreme

 
enjoyment
 
egotistical

street

 
exclusive
 

century

 

artist

 
charming
 

chapel

 

sculptures

 
beholds
 

fourteenth

 

priest


winter

 

morning

 

hollow

 

length

 

Pierre

 

health

 

replied

 

Master

 

glacial

 

tranquil


changed

 

greatly

 
solemn
 

impassioned

 

stupefied

 

monsieur

 

friend

 
master
 

meeting

 

maintained