FREE BOOKS

Author's List




PREV.   NEXT  
|<   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130  
131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   >>   >|  
hraseology and in general handling. This quaintness is, in fact, a very powerful adjunct to ideality, but in the case in question it arises independently of the author's will, and is altogether apart from his intention. Words and their rhythm have varied. Verses which affect us to-day with a vivid delight, and which delight, in many instances, may be traced to the one source, quaintness, must have worn in the days of their construction, a very commonplace air. This is, of course, no argument against the poems now-we mean it only as against the poets _thew. _There is a growing desire to overrate them. The old English muse was frank, guileless, sincere, and although very learned, still learned without art. No general error evinces a more thorough confusion of ideas than the error of supposing Donne and Cowley metaphysical in the sense wherein Wordsworth and Coleridge are so. With the two former ethics were the end-with the two latter the means. The poet of the "Creation" wished, by highly artificial verse, to inculcate what he supposed to be moral truth-the poet of the "Ancient Mariner" to infuse the Poetic Sentiment through channels suggested by analysis. The one finished by complete failure what he commenced in the grossest misconception; the other, by a path which could not possibly lead him astray, arrived at a triumph which is not the less glorious because hidden from the profane eyes of the multitude. But in this view even the "metaphysical verse" of Cowley is but evidence of the simplicity and single-heartedness of the man. And he was in this but a type of his school-for we may as well designate in this way the entire class of writers whose poems are bound up in the volume before us, and throughout all of whom there runs a very perceptible general character. They used little art in composition. Their writings sprang immediately from the soul-and partook intensely of that soul's nature. Nor is it difficult to perceive the tendency of this _abandon-to elevate _immeasurably all the energies of mind-but, again, so to mingle the greatest possible fire, force, delicacy, and all good things, with the lowest possible bathos, baldness, and imbecility, as to render it not a matter of doubt that the average results of mind in such a school will be found inferior to those results in one _(ceteris _paribus) more artificial. We can not bring ourselves to believe that the selections of the "Book of Gems" are such as will impart
PREV.   NEXT  
|<   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130  
131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   >>   >|  



Top keywords:

general

 

learned

 

results

 
school
 
artificial
 

metaphysical

 

Cowley

 
quaintness
 

delight

 

volume


writers

 

designate

 

entire

 
character
 

perceptible

 

adjunct

 

profane

 
multitude
 

hidden

 
triumph

glorious

 
impart
 

ideality

 

heartedness

 
single
 

evidence

 

simplicity

 

composition

 

lowest

 

bathos


baldness

 

imbecility

 

things

 

delicacy

 
render
 

matter

 
inferior
 
ceteris
 
paribus
 

average


handling

 

hraseology

 

greatest

 
intensely
 

nature

 

partook

 

writings

 
sprang
 

immediately

 
powerful