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nflicted. I wondered why she hated him so much. I begged Stroeve to behave more wisely. His want of spirit was exasperating. "You're doing no good at all by going on like this," I said. "I think you'd have been wiser if you'd hit her over the head with a stick. She wouldn't have despised you as she does now." I suggested that he should go home for a while. He had often spoken to me of the silent town, somewhere up in the north of Holland, where his parents still lived. They were poor people. His father was a carpenter, and they dwelt in a little old red-brick house, neat and clean, by the side of a sluggish canal. The streets were wide and empty; for two hundred years the place had been dying, but the houses had the homely stateliness of their time. Rich merchants, sending their wares to the distant Indies, had lived in them calm and prosperous lives, and in their decent decay they kept still an aroma of their splendid past. You could wander along the canal till you came to broad green fields, with windmills here and there, in which cattle, black and white, grazed lazily. I thought that among those surroundings, with their recollections of his boyhood, Dirk Stroeve would forget his unhappiness. But he would not go. "I must be here when she needs me," he repeated. "It would be dreadful if something terrible happened and I were not at hand." "What do you think is going to happen?" I asked. "I don't know. But I'm afraid." I shrugged my shoulders. For all his pain, Dirk Stroeve remained a ridiculous object. He might have excited sympathy if he had grown worn and thin. He did nothing of the kind. He remained fat, and his round, red cheeks shone like ripe apples. He had great neatness of person, and he continued to wear his spruce black coat and his bowler hat, always a little too small for him, in a dapper, jaunty manner. He was getting something of a paunch, and sorrow had no effect on it. He looked more than ever like a prosperous bagman. It is hard that a man's exterior should tally so little sometimes with his soul. Dirk Stroeve had the passion of Romeo in the body of Sir Toby Belch. He had a sweet and generous nature, and yet was always blundering; a real feeling for what was beautiful and the capacity to create only what was commonplace; a peculiar delicacy of sentiment and gross manners. He could exercise tact when dealing with the affairs of others, but none when dealing with
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