f Cramer, Moscheles,
and Chopin, before he comes to Bach's Well-tempered Clavichord, or
before he is able, or ought even, to study Beethoven's Sonate
Pathetique! It is not well, though quite in the spirit of the times, to
condemn without experience, from one's own prejudiced point of view, the
methods which those skilled in their business have for years
successfully tried and practised. It is possible to make pupils musical
in the above way, but they will be only dull, clumsy bunglers on the
piano; not fine artists, who alone can give a worthy and noble
interpretation of classical music. I desire that my daughters may never
forget my well-considered instructions, sustained by the experience of
many years; and that they may, in grateful remembrance of their father
and teacher, repay to their pupils what they owe to him.

But I see among my audience several beginners in singing, and I beg to
be allowed a word to them. So long as many of our German song composers
consider it beneath their dignity to study the art of singing in the old
Italian master-works, and under the guidance of well-qualified singing
masters,--as Gluck, Naumann, Hasse, Haendel, Haydn, Mozart, Salieri,
Winter, and others have done,--I warn you to take care of your tender
voices, which are so easily ruined, and not to allow yourselves to be
misled by ingenious opinions, and by music otherwise good. The loss of
your voices follows in the footsteps of modern tortures in singing, as
you may see sufficiently in all our theatres, or, indeed, may experience
yourselves in numberless German songs. Apply also to singing what I have
just said about piano-playing: as you should choose for the piano music
suited to the piano, so for your studies in singing select only that
which is adapted to the voice; under the guidance of prudent and
educated teachers, not of modern voice breakers, who allow you to
scream, "in order to bring out the voice." When you have acquired a good
technique, when your attack is sure, and a certain skilfulness in
singing has been developed, then only you may try, by way of experiment,
a few pieces of such spirited but unskilled song composers, who
frequently commit sins in every line against correct representation, the
register of the voice, the breathings, the pronunciation, and a hundred
other things.

Look around and see who sing these so-called classical songs. They are
either singers who do not know what singing is, and who have no tas