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that have loved a moonbeam, nor have won Any Diana to Endymion. Pity me, for I have but loved too well The hope of the too fair impossible. Ah, it is she, she, Columbine: again I see her, and I woo her, and in vain. She lures me with her beckoning finger-tip; How her eyes shine for me, and how her lips Bloom for me, roses, roses, red and rich! She waves to me the white arms of a witch Over the world: I follow, I forget All, but she'll love me yet, she'll love me yet! FOR A PICTURE OF WATTEAU. HERE the vague winds have rest; The forest breathes in sleep, Lifting a quiet breast; It is the hour of rest. How summer glides away! An autumn pallor blooms Upon the check of day. Come, lovers, come away! But here, where dead leaves fall Upon the grass, what strains, Languidly musical, Mournfully rise and fall? Light loves that woke with spring This autumn afternoon Beholds meandering, Still, to the strains of spring. Your dancing feet are faint, Lovers: the air recedes Into a sighing plaint, Faint, as your loves are faint. It is the end, the end, The dance of love's decease. Feign no more now, fair friend! It is the end, the end. End of the Project Gutenberg EBook of Silhouettes, by Arthur Symons *** END OF THIS PROJECT GUTENBERG EBOOK SILHOUETTES *** ***** This file should be named 29531.txt or 29531.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/9/5/3/29531/ Produced by Ruth Hart Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given a
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