to
be no aim beyond the singing of "Jubilee songs"? Professors White and
Seward and all these talented singers will say, I am quite sure, that
there is to be a higher aim. The songs they sang were for the present,
forming a delightful novelty, and serving a noble purpose. Still it
must be sadly remembered that these Jubilee songs sprang from a former
life of enforced degradation; and that, notwithstanding their great
beauty of melody, and occasional words of elevated religious
character, there was often in both melody and words what forcibly
reminded the hearer of the unfortunate state just mentioned; and to
the cultured, sensitive members of the race represented, these
reminders were always of the most painful nature. And yet such persons
could not have the heart to utter words of discouragement to an
enterprise having an object so noble. They, like all others, could not
but enjoy the rich melody and harmony of the wonderful Jubilee voices.
They, too, often listened spell-bound; and when inclined, as at times
they were, to murmur, the inspiriting voice of hope was heard bidding
them to turn from a view of the dark and receding past to that of a
rapidly-dawning day, whose coming should bring for these singers, and
all others of their race, increase of opportunities, and therefore
increase of culture.
On the foregoing pages but little has been said of the secular songs
with which at times the troupe indulged their audiences. Even in music
of this kind they were exceedingly pleasing; and it is very
gratifying to reflect that the members of the company constantly
aimed to obtain a scientific knowledge of general music. No fears need
be entertained that the students of Fisk University will ever lack for
instruction in music of the highest order, as ample provision is there
made for the same. Of course the model of slave "spirituals" will in a
short while give place to such music as befits the new order of
things. The students themselves will wish to aim higher, as the spirit
of true progress will demand it. Nevertheless, some of the
characteristics displayed by the great Jubilee choir it will be well
for them to ever retain, and for all other singers to imitate: I mean
the heartiness, the soulfulness, of their style of rendition. Indeed,
in their striking exhibitions of these latter qualities, I think they
may justly claim the honor of standing quite peerless and alone, and
of having presented a model for the present and
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