FREE BOOKS

Author's List




PREV.   NEXT  
|<   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96  
97   98   99   >>  
the arches carrying the tower had a most marked effect on the architectural expression of the interior. At Tewkesbury, for instance, while the lower piers are designed in the usual way toward the north and south sides (viz., as portions of a pier of nearly square proportion standing under the angle of the tower), in the east and west direction the tower piers run out into great solid masses of wall, in order to insure a sufficient abutment for the tower arches. On the north and south sides the solid transept walls were available immediately on the other side of the low arch of the side aisle, but on the east and west sides there were only the nave and choir arcades to take the thrust of the north and south tower arches, and so the Normans took care to interpose a massive piece of wall between, in order that the thrust of the tower arches might be neutralized before it could operate against the less solid arcaded portions of the walls. This expedient, this great mass of wall introduced solely for constructive reasons, adds greatly to the grandeur of the interior architectural effect. The true constructive and architectural perception of the Normans in this treatment of the lower piers is illustrated by the curious contrast presented at Salisbury. There the tower piers are rather small, the style is later, and the massive building of the Normans had given way to a more graceful but less monumental manner of building. Still the abutment of the tower arches was probably sufficient for the weight of the tower as at first built; but when the lofty spire was put on the top of this, its vertical weight, pressing upon the tower arches and increasing their horizontal thrust, actually thrust the nave and choir arcades out of the perpendicular toward the west and east respectively, and there they are leaning at a very perceptible angle away from the center of the church--the architectural expression, in a very significant form, of the neglect of balance of mass in construction. But while the buttress in Gothic architecture has been in process of development, what has the vault been doing? We left it (Fig. 92) in the condition of a round wagon vault, intersected by another similar vault at right angles. By that method of treatment we got rid of the continuous thrust on the walls. But there were many difficulties to be faced in the construction of vaulting after this first step had been taken, difficulties which arose chiefly from
PREV.   NEXT  
|<   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96  
97   98   99   >>  



Top keywords:

arches

 

thrust

 

architectural

 

Normans

 

abutment

 

massive

 
arcades
 

treatment

 

building

 

weight


constructive
 

construction

 

sufficient

 

difficulties

 

portions

 

effect

 

expression

 

interior

 
perpendicular
 

horizontal


similar

 
perceptible
 

leaning

 

increasing

 

chiefly

 
intersected
 

pressing

 
vertical
 

center

 

process


development

 

architecture

 

continuous

 

angles

 

method

 

Gothic

 

significant

 
church
 

vaulting

 

neglect


balance
 
buttress
 

condition

 
solely
 
immediately
 
transept
 

masses

 

insure

 

interpose

 

Tewkesbury