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rselli. _Psychology and Spiritism_ (in Italian). Fr. Bocca, Turin, 1908. 3. C. de Vesme. "The Thinking Horses of Elberfeld" (in French). _Annales des Sciences Psychiques_, XXII, 12. Paris, 1910. 4. G. C. Ferrari and F. Pulle. "The First Month of a Horse's Education" (in Italian). _Rivista di Psicologia_, March-April, 1913. 5. E. C. Sanford. "Psychic Research in the Animal Field." _American Journal of Psychology_, XXV, 1914. 6. P. Sarasin. "Animal and Human Quick Reckoners" (in German), from _Proceedings of the Natural History Society at Basle_. Basle, 1915. 7. H. E. Ziegler. _The Soul of the Animal_ (in German). W. Junk, Berlin, 1916. 8. W. Neumann. "Pseudo-animal-psychology" (in German), from _Naturwiss: Wochenschrift_. Jena, 1916. 9. W. Mackenzie. _At the Founts of Life_ (in Italian). A. F. Formiggini, Rome, 1916. (Out of print). 10. W. Maeterlinck. _The Unknown Guest._ Methuen, London. 11. P. Moekel. _My Dog Rolf_ (in German). R. Lutz, Stuttgart, 1919. 12. W. Mackenzie. "Rolf of Mannheim." Translated by Miss E. Lathan, with notes by Professor J. H. Hyslop. _Proceedings of the American Society for Psychical Research._ New York, August, 1919. 13. H. E. Ziegler. "The Memory of the Dog" (in German), from _Zoologischer Anzeiger_. Leipzig, November, 1919. 14. H. Kindermann. _Lola._ Jordan, Stuttgart, 1919. 15. G. C. Ferrari. "What Talking Dogs Think" (in Italian). _Riv. di Psicologia_, Bologna, XVI, 1. 1920. _Printed in Great Britain by Jarrold & Sons, Ltd., Norwich._ End of the Project Gutenberg EBook of Lola, by Henny Kindermann *** END OF THIS PROJECT GUTENBERG EBOOK LOLA *** ***** This file should be named 25887.txt or 25887.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/5/8/8/25887/ Produced by David Edwards and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply t
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