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country-seat near Fontainebleau he is at present staying. As soon as St. Phar hears the name of this lady, his hoarseness is gone and all sing their best. We gather from this scene, that Mme. Latour has succeeded in enthralling St. Phar; he has an interview with her, and, won by his protestations of love, she consents to marry him. St. Phar, not wishing to commit bigamy, begs his friend Bijou to perform the marriage-ceremony in a priest's garb, but Mme. Latour locks him in her room, along with Bourdon, the second leader of the chorus, while a real priest unites the pair for the second time. St. Phar enters the room in high spirits, when his companions, beside themselves with fear, tell him that he has committed bigamy. While they are in mortal terror of being hanged, Mme. Latour enters in her former shape as Madeleine, and blowing out the candle, torments St. Phar, assuming now the voice of Mme. Latour, now that of Madeleine.--After having sent her fickle husband into an abyss of unhappiness and fear, the Marquis de Corcy, who had himself hoped to wed the charming widow, appears with the police to imprison the luckless St. Phar, who already considers himself as good as hanged, and in imagination sees his first wife Madeleine rejoicing over his punishment. But he {277} has been made to suffer enough and at the last moment Madelaine explains everything, and Chapelou obtains her pardon. PRECIOSA. A Drama in four acts by ALEXANDER WOLFF. Musical accompaniment by CHARLES MARIA VON WEBER. Though Preciosa is not an opera, we may feel justified in admitting it into our collection, as the music, which Weber wrote to it has alone given celebrity to Wolff's drama, which would otherwise have long been forgotten. This musical composition is justly called one of the German nation's jewels, and it shows all the best qualities of Weber's rich music. It was written after the Freischuetz and done in the incredibly short space of nine days, and owed its success principally to the really national coloring of melody, which has made some of its songs so popular. The libretto is well done, the subject both attracting and interesting to the hearer. The scene is laid in Spain. The first act introduces us to Madrid and takes us into the house of a noble Spaniard, named Don Francesco de Carcano. His son, Don Alonzo has fallen violently in love with a Bohemian girl, called Preciosa, whose beauty, virtue and charm
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