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ew: **-j]), signifies a door. From whatever country we look back along the pathway of the arts and sciences, in the dim distance tower the mighty gateways of Egypt--the homestead of the nations--beneath which the rites of religion and the blessings of civilization have passed out into the world; and with grateful respect we confess that on the banks of the Nile stands the true Daleth of the Nations.' This idea forms the clew to the whole book, and from hence is derived its title, Daleth. We heartily recommend it to our readers. It merits attention. We quote the last sentence of the short preface: 'That these fragments of the past may reflect for the reader the sunshine they have gathered in three thousand years, is the earnest wish of the author.' THE LIFE AND ADVENTURES, SONGS, SERVICES, AND SPEECHES OF PRIVATE MILES O'REILLY (47th Regiment, New York Volunteers). "The Post of Honor is the Private's Station." With Illustrations by Mullen. From the authentic records of the New York _Herald_. New York: Carleton, publisher, 413 Broadway. This book had established its reputation before it was issued in book form; and will be widely circulated. Our soldiers and sailors, our politicians of all parties will read it. It is evidently from the pen of one familiar with the varied phases of American life and the public service. Many of its songs are full of genuine humor. 'Sambo's Right to be Kilt' is excellent. 'The Review: A Picture of our Veterans,' is full of pathos. 'Miles' is familiar with Admiral DuPont and the monitors in front of Charleston, and is equally at home in Tammany Hall and Democratic Conventions. The publisher describes himself as unable to supply the rapid demand for the book. It is witty, satirical, and humorous; though we occasionally wish for somewhat more refinement. ELIZA WOODSON; OR, THE EARLY DAYS OF ONE OF THE WORLD'S WORKERS. A Story of American Life. A. J. Davis & Co., 274 Canal street, New York. We cannot tell our readers, with any degree of certainty, whether the tale before us is truth or fiction. It seems to be the simple history of an uneventful life, a record rather of the growth of character than an attempt to create the fictitious or tragical. If true it has the interest of fiction; if fictitious, it has the merit of concealing art and closely imitating nature. It contains the inner-life history of a deserted and much-abused little girl, from
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