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The Project Gutenberg eBook, The Psychology of Singing, by David C. Taylor This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Psychology of Singing A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern Author: David C. Taylor Release Date: June 28, 2007 [eBook #21957] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE PSYCHOLOGY OF SINGING*** E-text prepared by David Newman, Sigal Alon, Chuck Greif, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) THE PSYCHOLOGY OF SINGING A Rational Method of Voice Culture based on a Scientific Analysis of all Systems, Ancient and Modern by DAVID C. TAYLOR New York 1922 All rights reserved Copyright, 1908, by the MacMillan Company. New York--Boston--Chicago--Atlanta--San Francisco MacMillan & Co., Limited London--Bombay--Calcutta--Melbourne The Macmillan Co. of Canada, Ltd. Toronto Set up and electrotyped. Published November, 1908. Norwood Press: Berwick & Smith Co., Norwood, Mass., U.S.A. To My Mother WHOSE DEVOTION TO TRUTH AND EARNEST LABOR HAS PROMPTED ALL MY EFFORTS THIS WORK IS AFFECTIONATELY DEDICATED PREFACE A peculiar gap exists between the accepted theoretical basis of instruction in singing and the actual methods of vocal teachers. Judging by the number of scientific treatises on the voice, the academic observer would be led to believe that a coherent Science of Voice Culture has been evolved. Modern methods of instruction in singing are presumed to embody a system of exact and infallible rules for the management of the voice. Teachers of singing in all the musical centers of Europe and America claim to follow a definite plan in the training of voices, based on established scientific principles. But a practical acquaintance with the modern art of Voice Culture reveals the fact that the laws of tone-production deduced from the scientific investigation of the voice do not furnish a satisfactory basis for a method of training voices. Throughout the entire vocal profession, among singers, teachers, and students alike, there is
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