one hundred feet long, and which occupied
a great portion of the northern side of the castle. The panels of this
gallery enclosed a series of pictures in tapestry, which represented the
principal achievements of the third crusade. A Montacute had been one
of the most distinguished knights in that great adventure, and had saved
the life of Cour de Lion at the siege of Ascalon. In after-ages a Duke
of Bellamont, who was our ambassador at Paris, had given orders to
the Gobelins factory for the execution of this series of pictures from
cartoons by the most celebrated artists of the time. The subjects of the
tapestry had obtained for the magnificent chamber, which they adorned
and rendered so interesting, the title of 'The Crusaders' Gallery.'

At the end of this gallery, surrounded by their guests, their relatives,
and their neighbours; by high nobility, by reverend prelates, by the
members and notables of the county, and by some of the chief tenants of
the duke, a portion of whom were never absent from any great carousing
or high ceremony that occurred within his walls, the Duke and Duchess
of Bellamont and their son, a little in advance of the company, stood
to receive the congratulatory addresses of the mayor and corporation
of their ancient and faithful town of Montacute; the town which their
fathers had built and adorned, which they had often represented in
Parliament in the good old days, and which they took care should then
enjoy its fair proportion of the good old things; a town, every house in
which belonged to them, and of which there was not an inhabitant who, in
his own person or in that of his ancestry, had not felt the advantages
of the noble connection.

The duke bowed to the corporation, with the duchess on his left hand;
and on his right there stood a youth, above the middle height and of a
frame completely and gracefully formed. His dark brown hair, in those
hyacinthine curls which Grecian poets have celebrated, and which Grecian
sculptors have immortalised, clustered over his brow, which,
however, they only partially concealed. It was pale, as was his whole
countenance, but the liquid richness of the dark brown eye, and the
colour of the lip, denoted anything but a languid circulation. The
features were regular, and inclined rather to a refinement which might
have imparted to the countenance a character of too much delicacy, had
it not been for the deep meditation of the brow, and for the lower part
of t