FREE BOOKS

Author's List




PREV.   NEXT  
|<   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62  
63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   >>  
mething but not letting him know what. It was training the body, not the mind, and the result was what invariably happens when this plan is followed. In the lesson given above no attempt was made to give the student a correct mental picture of a tone, and yet this is the most important thing for him to learn, for _he never will sing a pure tone until he has a definite mental picture of it_. _A tone is something to hear and the singer himself must hear it before he can sing it._ Not one of the suggestions made to this student could be of any possible benefit to him at the time. Not even the sensation of feeling the tone in the head can be relied upon, for physical sensations are altogether uncertain and unreliable. As I have observed in numberless instances, there may be a sensation in the head when there are disagreeable elements in the tone. If the ear of the teacher does not tell him when the tone is good and when it is bad he is hopeless. If his ear is reliable, why resort to a physical sensation as a means of deciding? In the properly produced voice there is a feeling of vibration in the head cavities, especially in the upper part of the voice, but that alone is not a guaranty of good tone. This teaching from the standpoint of sensation and direct control will never produce a great singer so long as man inhabits a body. It is working from the wrong end of the proposition. Control of the mechanism is a very simple matter when the mental concept is formed. It is then only a question of learning how to relax, how to free the mechanism of tension, and the response becomes automatic. Is there no way out of this maze of mechanical uncertainties? There is. Is voice culture a sort of catch-as-catch-can with the probabilities a hundred to one against success? It is not. Is singing a lost art? It is not. Let us get away from fad, fancy and formula and see the thing as it is. The problem is psychologic rather than physiologic. The fact that one may learn all that can be known about physiology and still know nothing whatever about voice training should awaken us to its uselessness. Man is a mental entity. When I speak to a student _it is his mind that hears, not his body_. It is his mind that acts. It is his mind that originates and controls action. Therefore it is his mind that must be trained. Action is not in the body. In fact, the body as matter has no sensation. Remove mind from the body and it does not feel.
PREV.   NEXT  
|<   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62  
63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   >>  



Top keywords:

sensation

 

mental

 
student
 

singer

 

feeling

 

mechanism

 

matter

 
physical
 

training

 

picture


Action

 

action

 

probabilities

 
uncertainties
 
automatic
 

mechanical

 

trained

 
Therefore
 

culture

 

concept


formed
 

simple

 
Control
 

question

 

tension

 

response

 

controls

 

learning

 

Remove

 
psychologic

problem

 

uselessness

 

physiologic

 
proposition
 

physiology

 
awaken
 
formula
 

success

 

singing

 
originates

entity

 
hundred
 
suggestions
 

benefit

 

altogether

 

uncertain

 

unreliable

 
sensations
 
relied
 

definite