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The Project Gutenberg EBook of A Treatise on Simple Counterpoint in Forty Lessons, by Friedrich J. Lehmann This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: A Treatise on Simple Counterpoint in Forty Lessons Author: Friedrich J. Lehmann Release Date: July 21, 2005 [EBook #16342] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK A TREATISE ON SIMPLE *** Produced by David Newman, Dainis Millers and the Online Distributed Proofreading Team at http://www.pgdp.net _SEVENTH EDITION_ A Treatise on Simple Counterpoint in Forty Lessons By Friedrich J. Lehmann _Instructor of Theory in the Oberlin Conservatory of Music Author of "Lessons in Harmony"_ G. SCHIRMER, INC. NEW YORK PREFACE The purpose of this work is to supply the need in the Oberlin Conservatory of Music of a text-book on Simple Counterpoint containing a definite assignment of lessons, and affording more practice than usual in combining species. It is a treatise on strict counterpoint, but strict in a limited sense only. In two-part counterpoint with other than the first species in both parts, dissonances are permitted under certain conditions, and in three- and four-part writing the unprepared seventh and ninth, and the six-four chord, are allowed in certain ways. While the illustrations have been written in close score, it is nevertheless urged that all exercises be written out in open score, as the movement of the different parts is thus more clearly seen. The use of the C-clefs is left optional with the teacher. A knowledge of harmony is presupposed, hence nothing is said pertaining to it. The author wishes to express his indebtedness to Professor A.E. Heacox for his help and advice. F.J. LEHMANN. OBERLIN, OHIO, _Jan. 6, 1907._ TABLE OF CONTENTS SIMPLE COUNTERPOINT LESSON I. Definitions and Illustrations. SIMPLE COUNTERPOINT IN TWO PARTS First Species: Note against Note. Examples and Exercises. LESSON II. Second Species: Two Notes against One. Examples and Exercises. LESSON III. Second Species in Both Parts. Examples. Second Speci
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