Divine Love of our Creator. But Portal, in his Essay on Symbolic
Colors, informs us that the sun represents Divine Love, and gold indicates
the goodness of God.

So that if Charity is equivalent to Divine Love, and Divine Love is
represented by the sun, and lastly, if Charity be the topmost round of the
masonic ladder, then again we arrive, as the result of our researches, at
the symbol so often already repeated of the solar orb. The natural sun or
the spiritual sun--the sun, either as the vivifying principle of animated
nature, and therefore the special object of adoration, or as the most
prominent instrument of the Creator's benevolence--was ever a leading idea
in the symbolism of antiquity.

Its prevalence, therefore, in the masonic institution, is a pregnant
evidence of the close analogy existing between it and all these systems.
How that analogy was first introduced, and how it is to be explained,
without detriment to the purity and truthfulness of our own religious
character, would involve a long inquiry into the origin of Freemasonry,
and the history of its connection with the ancient systems.

These researches might have been extended still farther; enough, however,
has been said to establish the following leading principles:--

1. That Freemasonry is, strictly speaking, a science of symbolism.

2. That in this symbolism it bears a striking analogy to the same science,
as seen in the mystic rites of the ancient religions.

3. That as in these ancient religions the universe was symbolized to the
candidate, and the sun, as its vivifying principle, made the object of his
adoration, or at least of his veneration, so, in Masonry, the lodge is
made the representative of the world or the universe, and the sun is
presented as its most prominent symbol.

4. That this identity of symbolism proves an identity of origin, which
identity of origin can be shown to be strictly compatible with the true
religious sentiment of Masonry.

5. And fifthly and lastly, that the whole symbolism of Freemasonry has an
exclusive reference to what the Kabalists have called the ALGABIL--the
_Master Builder_--him whom Freemasons have designated as the Grand
Architect of the Universe.

XVII.

Ritualistic Symbolism.

We have hitherto been engaged in the consideration of these simple
symbols, which appear to express one single and independent idea. They
have sometimes been called the "alphabet of Freemasonry," but improperly