forgotten the object of his visit.

"Now see here"--Mr. Mackintosh's voice became purposeful, energetic; he
seated himself before a piano that looked as if it had led a hard
nomadic existence. "Now see here!" Striking a few chords. "Suppose you
try this stunt! _What's the Matter with Mother_? My own composition!
Kerry Mackintosh at his best! Now twitter away, if you've any of that
angel voice left!"

The piano rattled; the new-comer, with a certain faint whimsical smile
as if he appreciated the humor of his position, did "twitter away"; loud
sounds filled the place. Quality might be lacking but of quantity there
was a-plenty.

"Bully!" cried Mr. Mackintosh enthusiastically. "That'll start the tears
rolling. _What's the Matter with Mother_? Nothing's the matter with
mother. And if any one says there is--Will it go? With that voice?" He
clapped his hand on the other's shoulder. "Why, man, they could hear you
across Madison Square. You've a voice like an organ. Is it a 'go'?" he
demanded.

"I don't think I quite understand," said the new-comer patiently.

"You don't, eh? Look there!"

A covered wagon had at that moment stopped before the door. It was drawn
by a horse whose appearance, like that of the piano, spoke more
eloquently of services in the past than of hopeful promises for the
future. On the side of the vehicle appeared in large letters: "_What's
the Matter with Mother_? Latest Melodic Triumph by America's Greatest
Composer, Mr. Kerry Mackintosh." A little to the left of this
announcement was painted a harp, probably a reminder of the one Saint
Cecilia was supposed to have played. This sentimental symbol was
obviously intended to lend dignity and respectability to the otherwise
disreputable vehicle of concord and its steed without wings, waiting
patiently to be off--or to lie down and pay the debt of nature!

"Shall we try it again, angel voice?" asked Mr. Mackintosh, playing the
piano, or "biffing the ivories," as he called it.

"Drop it," returned the visitor, "that 'angel' dope."

"Oh, all right! Anything to oblige."

Before this vaguely apologetic reply, the new-comer once more relapsed
into thoughtfulness. His eye passed dubiously over the vehicle of
harmony; he began to take an interest in the front door as if again
inclined to "back out." Perhaps a wish that the horse _might_ lie down
and die at this moment (no doubt he would be glad to!) percolated
through the current of his thoughts. That woul