singing, drawing the shades of
the two front and the southeast windows, stooping over the upholstered
chair to imprint a light kiss.
"A fine day, mama. There'll be an entry this week. Thirty dollars and
thirteen cents and another call for garden implements. I think I'll lay in
a hardware line after we--we get back. I can use the lower shelf of the
china-table, eh, ma?"
Mrs. Horowitz, whose face, the color of old linen in the yellowing, emerged
rather startling from the still black hair strained back from it, lay back
in her chair, turning her profile against the upholstered back, half a
wreath and a trail of raffia sliding to the floor. Age had sapped from
beneath the skin, so that every curve had collapsed to bagginess, the
cheeks and the underchin sagging with too much skin. Even the hands were
crinkled like too large gloves, a wide, curiously etched marriage band
hanging loosely from the third finger.
Mrs. Goblenz stooped, recovering the wreath.
"Say, mama, this one is a beauty! That's a new weave, ain't it? Here, work
some more, dearie--till Selene comes with your evening papers."
With her profile still to the chair-back, a tear oozed down the corrugated
face of Mrs. Horowitz's cheek. Another.
"Now, mama! Now, mama!"
"I got a heaviness--here--inside. I got a heaviness--"
Mrs. Coblenz slid down to her knees beside the chair.
"Now, mama; shame on my little mama! Is that the way to act when Shila
comes up after a good day? 'Ain't we got just lots to be thankful for--the
business growing and the bank-book growing, and our Selene on top? Shame on
mama!"
"I got a heaviness--here--inside--here."
Mrs. Coblenz reached up for the old hand, patting it.
"It's nothing, mama--a little nervousness."
"I'm an old woman. I--"
"And just think, Shila's mama, Mark Haas is going to get us letters and
passports and--"
"My son--my boy--his father before him--"
"Mama--mama, please don't let a spell come on! It's all right. Shila's
going to fix it. Any day now, maybe--"
"You'm a good girl. You'm a good girl, Shila." Tears were coursing down to
a mouth that was constantly wry with the taste of them.
"And you're a good mother, mama. Nobody knows better than me how good."
"You'm a good girl, Shila."
"I was thinking last night, mama, waiting up for Selene--just thinking how
all the good you've done ought to keep your mind off the spells, dearie."
"My son--"
"Why, a woman with as much good to rem
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