bird! the woods are bare.

The summer's throbbing chant is done
And mute the choral antiphon;
The birds have left the shivering pines
To flit among the trellised vines,
Or fan the air with scented plumes
Amid the love-sick orange-blooms,
And thou art here alone,--alone,--
Sing, little bird! the rest have flown.

The snow has capped yon distant hill,
At morn the running brook was still,
From driven herds the clouds that rise
Are like the smoke of sacrifice;
Erelong the frozen sod shall mock
The ploughshare, changed to stubborn rock,
The brawling streams shall soon be dumb,--
Sing, little bird! the frosts have come.

Fast, fast the lengthening shadows creep,
The songless fowls are half asleep,
The air grows chill, the setting sun
May leave thee ere thy song is done,
The pulse that warms thy breast grow cold,
Thy secret die with thee, untold
The lingering sunset still is bright,--
Sing, little bird! 't will soon be night.

1874.

DOROTHY Q.

A FAMILY PORTRAIT

I cannot tell the story of Dorothy Q. more simply in prose than I have
told it in verse, but I can add something to it. Dorothy was the daughter
of Judge Edmund Quincy, and the niece of Josiah Quincy, junior, the young
patriot and orator who died just before the American Revolution, of which
he was one of the most eloquent and effective promoters. The son of the
latter, Josiah Quincy, the first mayor of Boston bearing that name, lived
to a great age, one of the most useful and honored citizens of his time.
The canvas of the painting was so much decayed that it had to be replaced
by a new one, in doing which the rapier thrust was of course filled up.

GRANDMOTHER'S mother: her age, I guess,
Thirteen summers, or something less;
Girlish bust, but womanly air;
Smooth, square forehead with uprolled hair;
Lips that lover has never kissed;
Taper fingers and slender wrist;
Hanging sleeves of stiff brocade;
So they painted the little maid.

On her hand a parrot green
Sits unmoving and broods serene.
Hold up the canvas full in view,--
Look! there's a rent the light shines through,
Dark with a century's fringe of dust,--
That was a Red-Coat's rapier-thrust!
Such is the tale the lady old,
Dorothy's daughter's daughter, told.

Who the painter was none may tell,--
One whose best was not over well;
Hard and dry, it must be confessed,
Flat as a rose that has long been pressed;
Yet in her cheek the hues are bright,
Dainty colors of red and white,