in on which was represented a gentleman making decorous love to a
lady beside a fountain. As in a dream, Honora followed Peter to a table,
and he handed her a programme.
"Oh, Peter," she cried, "it's going to be 'Pinafore'!"
Honora's eyes shone like stars, and elderly people at the neighbouring
tables turned more than once to smile at her that evening. And Peter
turned more than once and smiled too. But Honora did not consider Peter.
He was merely Providence in one of many disguises, and Providence is
accepted by his beneficiaries as a matter of fact.
The rapture of a young lady of temperament is a difficult thing to
picture. The bird may feel it as he soars, on a bright August morning,
high above amber cliffs jutting out into indigo seas; the novelist may
feel it when the four walls of his room magically disappear and the
profound secrets of the universe are on the point of revealing
themselves. Honora gazed, and listened, and lost herself. She was no
longer in Uhrig's Cave, but in the great world, her soul a-quiver with
harmonies.
"Pinafore," although a comic opera, held something tragic for Honora, and
opened the flood-gates to dizzy sensations which she did not understand.
How little Peter, who drummed on the table to the tune of:
"Give three cheers and one cheer more
For the hearty captain of the Pinafore,"
imagined what was going on beside him! There were two factors in his
pleasure; he liked the music, and he enjoyed the delight of Honora.
What is Peter? Let us cease looking at him through Honora's eyes and
taking him like daily bread, to be eaten and not thought about. From one
point of view, he is twenty-nine and elderly, with a sense of humour
unsuspected by young persons of temperament. Strive as we will, we have
only been able to see him in his role of Providence, or of the piper. Has
he no existence, no purpose in life outside of that perpetual gentleman
in waiting? If so, Honora has never considered it.
After the finale had been sung and the curtain dropped for the last time,
Honora sighed and walked out of the garden as one in a trance. Once in a
while, as he found a way for them through the crowd, Peter glanced down
at her, and something like a smile tugged at the corners of a decidedly
masculine mouth, and lit up his eyes. Suddenly, at Locust Street, under
the lamp, she stopped and surveyed him. She saw a very real, very human
individual, clad in a dark nondescript suit of
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