The Project Gutenberg EBook of Barry Lyndon, by William Makepeace Thackeray
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Barry Lyndon
Author: William Makepeace Thackeray
Release Date: October, 2003 [Etext #4558]
Posting Date: December 4, 2009
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK BARRY LYNDON ***
Produced by Steve Harris, Charles Franks and the Online
Distributed Proofreading Team
BARRY LYNDON
By William Makepeace Thackeray
From The Works Of William Makepeace Thackeray
Edited By Walter Jerrold
CONTENTS
BIBLIOGRAPHICAL NOTE
I.--MY PEDIGREE AND FAMILY--UNDERGO THE INFLUENCE OF THE TENDER
PASSION
II.--IN WHICH I SHOW MYSELF TO BE A MAN OF SPIRIT
III.--I MAKE A FALSE START IN THE GENTEEL WORLD
IV.--IN WHICH BARRY TAKES A NEAR VIEW OF MILITARY GLORY
V.--IN WHICH BARRY TRIES TO REMOVE AS FAR FROM MILITARY GLORY AS
POSSIBLE
VI.--THE CRIMP WAGGON--MILITARY EPISODES
VII.--BARRY LEADS A GARRISON LIFE, AND FINDS MANY FRIENDS THERE
VIII.--BARRY BIDS ADIEU TO THE MILITARY PROFESSION
IX.--I APPEAR IN A MANNER BECOMING MY NAME AND LINEAGE
X.--MORE RUNS OF LUCK
XI.--IN WHICH THE LUCK GOES AGAINST BARRY
XII.--CONTAINS THE TRAGICAL HISTORY OF THE PRINCESS OF X-----
XIII.--I CONTINUE MY CAREER AS A MAN OF FASHION
XIV.--I RETURN TO IRELAND, AND EXHIBIT MY SPLENDOUR AND GENEROSITY
IN THAT KINGDOM
XV.--I PAY COURT TO MY LADY LYNDON
XVI.--I PROVIDE NOBLY FOR MY FAMILY, AND ATTAIN THE HEIGHT OF MY
(SEEMING) GOOD FORTUNE
XVII.--I APPEAR AS AN ORNAMENT OF ENGLISH SOCIETY
XVIII.--IN WHICH MY GOOD FORTUNE BEGINS TO WAVER
XIX.--CONCLUSION
BARRY LYNDON
A BIBLIOGRAPHICAL NOTE
Barry Lyndon--far from the best known, but by some critics acclaimed as
the finest, of Thackeray's works--appeared originally as a serial a few
years before VANITY FAIR was written; yet it was not published in book
form, and then not by itself, until after the publication of VANITY
FAIR, PENDENNIS, ESMOND and THE NEWCOMES had placed its author in the
forefront of
|