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The Project Gutenberg EBook of Dramatic Romances, by Robert Browning This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Dramatic Romances Author: Robert Browning Commentator: Charlotte Porter and Helen A. Clarke Release Date: July, 2003 [EBook #4253] Posting Date: December 10, 2009 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK DRAMATIC ROMANCES *** Produced by Richard Adicks DRAMATIC ROMANCES FROM THE POETIC WORKS OF ROBERT BROWNING By Robert Browning Introduction and Notes: Charlotte Porter and Helen A. Clarke From the edition of Browning's poems published by Thomas Y. Crowell and Company, New York, in 1898. Editing conventions: Stanza and section numbers have been moved to the left margin, and periods that follow them have been removed. Periods have been omitted after Roman numerals in the titles of popes and nobles. Quotation marks have been left only at the beginning and end of a multi-line quotation, and at the beginning of each stanza within the quotation, instead of at the beginning of every line, as in the printed text. CONTENTS Introduction Incident of the French Camp The Patriot My Last Duchess Count Gismond The Boy and the Angel Instans Tyrannus Mesmerism The Glove Time's Revenges The Italian in England The Englishman in Italy In a Gondola Waring The Twins A Light Woman The Last Ride Together The Pied Piper of Hamelin: A Child's Story The Flight of the Duchess A Grammarian's Funeral The Heretic's Tragedy Holy-Cross Day Protus The Statue and the Bust Porphyria's Lover "Childe Roland to the Dark Tower Came" INTRODUCTION [The Dramatic Romances,...] enriched by some of the poems originally printed in Men and Women, and a few from Dramatic Lyrics as first printed, include some of Browning's finest and most characteristic work. In several of them the poet displays his familiarity with the life and spirit of the Renaissance--a period portrayed by him with a fidelity more real than history--for he enters into the feelings that give rise to actio
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INTRODUCTION