and
old-fashioned, and devoted himself entirely to the chapel services and
music, leaving Haydn to look after the incessant concerts--each of them
interminable, as was the fashion then--the cantatas, instrumental
pieces, operas and operettas. Werner thought little of Haydn: he
regarded him as an adventurer and musical frivol; but Haydn, as became
the bigger man, esteemed Werner. There does not seem to have been any
friction; Haydn was always shrewd enough to avoid friction, which means
wasted energy, and the problem, if problem it was, of double mastership
was solved by Werner's death on March 5, 1766. Henceforth Haydn was
alone and supreme.

Haydn's magnificent patron and master played the baryton, and it was one
of his duties to write pieces for it. Of these there remain many, mostly
uninteresting. It was always his avowed aim to please his patron--that
done he was satisfied; but in an evil hour he thought to please him
better by learning to play the baryton--a singular bit of
short-sightedness on Haydn's part. He quickly discovered his error:
Prince Nicolaus liked the instrument best when played by princely hands
in the princely manner. Haydn limited himself for the future to writing
for it. With his band, we are told, he got on excellently, and what with
rehearsing them and conducting them and composing, every hour of the day
brought its task. The band consisted at the beginning of sixteen chosen
players, but the number was increased afterwards. The only events in his
life were the smaller or larger fetes for which he prepared the music.
For instance, in 1763 Anton, the son of Nicolaus, was married, and
Haydn composed a pastoral, _Acis and Galatea_, which was duly performed.
Again, in 1764 Prince Nicolaus attended the coronation of the Archduke
Joseph; his return was one of these events, and to celebrate it Haydn
wrote a grand cantata. A Life of him at this period would be a list of
his compositions, with a few notes about the occasions that prompted
them. Such a list I am not minded to prepare. The publishers' catalogues
exist, and as for the various fetes, one was very much like another; and
those folk who do not find accounts of them insufferably tedious can
find out about them in one of the larger biographies.

In 1767 the Prince, Haydn, band and all, took up their residence at the
palace of Esterhaz. A few singers and players were left at Eisenstadt to
keep up the chapel services, and doubtless had an easy tim