, 122.

VIZIADRUG, harbour of, 77.

VIZIANAGRAM, letter to Clive demanding troops from Raja of, 121.

VOLKONDA, Clive sent under Captain Gingens to, 48:
surrender of d'Auteuil at, 73.

_Voyage and Historical Narrative_, by Ives, quoted, 94_n_., 96_n_.

WAGGONNER, Captain, at Council of War, 93.

WALSH, sent with Watts to Madhupur, 111:
Clive's secretary, 140:
charged with the letter to Mr. Pitt, 140.

WANDIWASH, Saiyud Muhammad Khan and his mother sent to, 27.

_War in India_, by Cambridge, quoted, 43_n_.

WATSON, Admiral, in command of squadron, 78:
destroyed Gheria, 78:
sent to the Hugli, 80:
arrived at Falta, 80-1:
anchored at Maiapur, 81:
nominated Major Eyre Coote, Governor of Calcutta, 82:
took possession himself, 82:
handed keys to Drake, 82:
objected to sign false document regarding Aminchand's demand, 87.

WATTS, Mr., English agent at Kasimbazar, 86, 87:
at Kalna, 92:
his letter to Clive with news of Mir Jafar's faithlessness, 92:
denounced as spy, 92:
sent to Madhupur, 111.

WEDDERBURN, Mr., able lawyer and ally of Clive, 198:
Solicitor-General, 203.

WELLESLEY, Marquess, mentioned, 122.

WHEELER, Talboys, quoted, 177 and _n_., 178_n_.

WHITE TOWN, a division of Madras, 19.

WILSON, Prof. H. H., quoted, 37_n_.

WILSON, Commodore, sent by Clive to demand apology from the Dutch,
failing which, to attack their squadron, 130:
Dutch refusal and consequent attack, 130:
completely defeated Dutch, 131.

WRITER in the service of the East India Company, duties of, 12:
Clive appointed, 10, 11, 12:
not congenial to Clive, 12.

YAR LUTF KHAN, a commander in Siraj-ud-daula's army, 86:
offered to join Clive to displace Siraj-ud-daula, and to become
himself Subahdar, 86, 107:
position of his troops at Plassey, 97.

ZAMINDARI, conferred on Clive by Mir Jafar, 123.

***END OF THE PROJECT GUTENBERG EBOOK RULERS OF INDIA: LORD CLIVE***

******* This file should be named 32125.txt or 32125.zip *******

This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/3/2/1/2/32125

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying