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situation. Her captain was commended. I don't believe he ever got a further promotion, though." "Why didn't you publicize the facts afterwards?" Lindgren wondered. "When the revolution began, that is. It would've made good propaganda." "Nonsense," Missy said. "Too much else had happened since then. Besides, neither Mike nor Jimmy nor I wanted to do any cheap emotion-fanning. We knew the asterites weren't any little pink-bottomed angels, nor the people back sunward a crew of devils. There were rights and wrongs on both sides. We did what we could in the war, and hated every minute of it, and when it was over we broke out two cases of champagne and invited as many Earthsiders as we could get to the party. They had a lot of love to carry home for us." A stillness fell. She took a long swallow from her glass and sat looking out at the stars. "Yes," Lindgren said finally, "I guess that was the worst, fighting against our own kin." "Well, I was better off in that respect than some," Missy conceded. "I'd made my commitment so long before the trouble that my ties were nearly all out here. Twenty years is time enough to grow new roots." "Really?" Orloff was surprised. "I haven't met you often before, Mrs. Blades, so evidently I've had a false impression. I thought you were a more recent immigrant than that." "Shucks, no," she laughed. "I only needed six months after the _Altair_ incident to think things out, resign my commission and catch the next Belt-bound ship. You don't think I'd have let a man like Mike get away, do you?" * * * * * End of Project Gutenberg's Industrial Revolution, by Poul William Anderson *** END OF THIS PROJECT GUTENBERG EBOOK INDUSTRIAL REVOLUTION *** ***** This file should be named 30971.txt or 30971.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/0/9/7/30971/ Produced by Sankar Viswanathan, Greg Weeks, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of thi
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