d Physiognomy, &c. Catalogues will be sent on application.

* * * * *

Just Published, in 1 vol. fcp. 8vo., price 5s., cloth.

A TREATISE OF EQUIVOCATION. Wherein is largely discussed the question
whether a Catholicke or any other person before a magistrate, being
demanded upon his Oath whether a Prieste were in such a place, may
(notwithstanding his perfect knowledge to the contrary) without Perjury,
and securely in conscience, answer No; with this secret meaning reserved in
his mynde. That he was not there so that any man is bounde to detect it.
Edited from the Original Manuscript in the Bodleian Library, by DAVID
JARDINE, of the Middle Temple, Esq., Barrister at Law.

London: LONGMAN, BROWN, GREEN, and LONGMANS.

* * * * *

Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5. New
Street Square, in the Parish of St. Bride in the City of London; and
published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St.
Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet
Street aforesaid.--Saturday, May 17. 1851.

* * * * *

Corrections made to printed original.

page 387, "DUTCH FOLK-LORE" (heading): 'FOLK-LORR' in original.

page 390, "Ashby-de-la-Zouch" (contributor's address): 'Ashley-de-la-Zouch'
in original.

page 391, "the meaning of crambo": 'crambe' in original.

End of the Project Gutenberg EBook of Notes and Queries, Number 81, May 17,
1851, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, MAY 17, 1851 ***

***** This file should be named 29318.txt or 29318.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/9/3/1/29318/

Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
and the Online Distributed Proofreading Team at
http://www.pgdp.net (This file was produced from images
generously made available by The Internet Library of Early
Journals.)

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, appl