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omes powerful, it will be necessary to shade them from the extreme violence of the heat. Mats are generally made use of, but the Author considers evergreen boughs far preferable, as the former entirely precludes the sun, whereas the latter is beneficial to the plants, in admitting it partially. This will be generally requisite from about ten until two; and at that time, in proportion to the degree of shade, a larger quantity of air must be admitted. DIMENSIONS OF THE BOXES AND LIGHTS FOR Early and late Melons. _Boxes and Lights for the first early Melons._ The wood-work should be of the same thickness, as those directed for early cucumbers, and the boxes of the same length; but two feet deep at the back, five feet wide, and one foot three inches in the front. _For Melons sown from the middle of February until the latter end of March, grown with linings._ The boxes and lights to be the same in thickness, length, and depth; five feet six inches wide; four bars to a light, with a small iron bar across the middle, in the inside, under the lead-work. _For late Melons, grown without Linings._ The boxes and lights to be the same as those before described, with the exception of being eighteen inches deep at the back, by eleven inches in the front. _Brick Pits._ Let these be formed of nine inch brick-work, sunk one foot under-ground; five feet high at the back, by three feet six inches in the front, from the bottom; and six feet wide in the inside. Let the lights be three feet eight inches wide. THE END. PRINTED BY S. CAVE, ISLINGTON GREEN. End of the Project Gutenberg EBook of The art of promoting the growth of the cucumber and melon, by Thomas Watkins *** END OF THIS PROJECT GUTENBERG EBOOK GROWTH OF CUCUMBER AND MELON *** ***** This file should be named 27548.txt or 27548.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/5/4/27548/ Produced by Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United S
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