, "we thought you were dead. Apparently it was not
so. We welcome you to our land again. Ouglat, who once tried to kill you
and apparently failed, you have killed, which is right and proper. Come
and live with us again in peace. We welcome you."
Mal Shaff bowed.
Gone was all thought of the third dimension. Through Mal Shaff's mind
raced strange, haunting memories of a red desert scattered with scarlet
boulders, of silver cliffs of gleaming metallic stone, of huge seas
battering against towering headlands. There were other things, too.
Great palaces of shining jewels, and weird nights of inhuman joy where
hellish flames lit deep, black caverns.
He bowed again.
"I thank you, Bathazar," he said.
Without a backward look he shambled down the hill with the others.
* * * * *
"Yes?" said the editor. "What's that you say? Doctor White is dead! A
suicide! Yeah, I understand. Worry, hey! Here, Roberts, take this
story."
He handed over the phone.
"When you write it," he said, "play up the fact he was worried about not
being able to bring the men back to the third dimension. Give him plenty
of praise for ending the Black Horror. It's a big story."
"Sure," said Roberts, then spoke into the phone: "All right, Bill, shoot
the works."
Transcriber's Note:
This etext was produced from _Astounding Stories_ June 1932.
Extensive research did not uncover any evidence that the U.S.
copyright on this publication was renewed. Minor spelling and
typographical errors have been corrected without note.
End of Project Gutenberg's Hellhounds of the Cosmos, by Clifford Donald Simak
*** END OF THIS PROJECT GUTENBERG EBOOK HELLHOUNDS OF THE COSMOS ***
***** This file should be named 27013.txt or 27013.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/7/0/1/27013/
Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying
|