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, "we thought you were dead. Apparently it was not so. We welcome you to our land again. Ouglat, who once tried to kill you and apparently failed, you have killed, which is right and proper. Come and live with us again in peace. We welcome you." Mal Shaff bowed. Gone was all thought of the third dimension. Through Mal Shaff's mind raced strange, haunting memories of a red desert scattered with scarlet boulders, of silver cliffs of gleaming metallic stone, of huge seas battering against towering headlands. There were other things, too. Great palaces of shining jewels, and weird nights of inhuman joy where hellish flames lit deep, black caverns. He bowed again. "I thank you, Bathazar," he said. Without a backward look he shambled down the hill with the others. * * * * * "Yes?" said the editor. "What's that you say? Doctor White is dead! A suicide! Yeah, I understand. Worry, hey! Here, Roberts, take this story." He handed over the phone. "When you write it," he said, "play up the fact he was worried about not being able to bring the men back to the third dimension. Give him plenty of praise for ending the Black Horror. It's a big story." "Sure," said Roberts, then spoke into the phone: "All right, Bill, shoot the works." Transcriber's Note: This etext was produced from _Astounding Stories_ June 1932. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of Project Gutenberg's Hellhounds of the Cosmos, by Clifford Donald Simak *** END OF THIS PROJECT GUTENBERG EBOOK HELLHOUNDS OF THE COSMOS *** ***** This file should be named 27013.txt or 27013.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/0/1/27013/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying
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