FREE BOOKS

Author's List




PREV.   NEXT  
|<   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79  
80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   >>   >|  
gs for his plates. He was going to begin with the geology and botany of Chamouni, and work through the Alps, eastward. At Chamouni they had the good fortune to meet with Joseph Coutet, a superannuated guide, whom they engaged to accompany the eager but inexperienced mountaineer. Coutet was one of those men of natural ability and kindliness whose friendship is worth more than much intercourse with worldly celebrities, and for many years afterwards Ruskin had the advantage of his care--of something more than mere attendance. At any rate, under such guidance, he could climb where he pleased, free from the feeling that people at home were anxious about him. He was not unadventurous in his scramblings, but with no ambition to get to the top of everything. He wanted to observe the aspects of mountain-form; and his careful outlines, slightly coloured, as his manner then was, and never aiming at picturesque treatment, record the structure of the rocks and the state of the snow with more than photographic accuracy. A photograph often confuses the eye with unnecessary detail; these drawings seized the leading lines, the important features, the interesting points. For example, in his Matterhorn (a drawing of 1849), as Whymper remarks in "Scrambles among the Alps," there are particulars noted which the mere sketcher neglects, but the climber finds out, on closer intercourse, to be the essential facts of the mountain's anatomy. All this is not picture-making, but it is a valuable contribution and preliminary to criticism. From Chamouni this year they went to Simplon, and met J.D. Forbes, the geologist, whose "viscous theory" of glaciers Ruskin adopted and defended with warmth later on, and to the Bell' Alp, long before it had been made a place of popular resort by Professor Tyndall's notice. The "Panorama of the Simplon from the Bell' Alp" is to be found in the St. George's (Ruskin) Museum at Sheffield, as a record of his draughtsmanship in this period. Thence to Zermatt with Osborne Gordon; Zermatt, too, unknown to the fashionable tourist, and innocent of hotel luxuries. It is curious that, at first sight, he did not care for the Matterhorn. It was entirely unlike his ideal of mountains. It was not at all like Cumberland. But in a very few years he had come to love the Alps for their own sake, and we find him regretting at Ambleside the colour and light of Switzerland, the mountain glory which our humbler scenery cannot matc
PREV.   NEXT  
|<   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79  
80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   >>   >|  



Top keywords:

mountain

 

Ruskin

 

Chamouni

 

intercourse

 

Matterhorn

 

record

 

Simplon

 

Zermatt

 

Coutet

 

colour


geologist
 

viscous

 

Forbes

 
theory
 
adopted
 
regretting
 

Ambleside

 
defended
 

warmth

 

glaciers


criticism

 

scenery

 

closer

 

humbler

 

climber

 

sketcher

 

neglects

 

essential

 

Switzerland

 

valuable


contribution
 
preliminary
 
making
 

picture

 

anatomy

 

innocent

 

tourist

 

fashionable

 
Osborne
 
Gordon

unknown

 

luxuries

 
mountains
 

unlike

 
Cumberland
 

curious

 
particulars
 

notice

 

Tyndall

 
Professor