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in plain view before me, and I may watch him either with or without my glass; he has a short, conical bill; his upper parts are gray or olive-gray; cervical patch of a greenish tinge; under parts whitish, spotted with dusk or brown. The bill is white or horn-color, and is quite heavy, I should say heavier than that of any sparrow I know. The bird continued to sing for a long time and at frequent intervals, not even stopping when the engine near at hand blew off steam, although he turned his head and looked a little startled." I saw this species nowhere else in my Colorado rambles, and can find no description in the systematic manuals that helps to clear up the mystery, and so an _avis incognita_ he must remain for the present. Has mention been made of a few house-finches that were seen in Georgetown? Only a few, however, for they prefer the towns and cities of the plain. Several house-wrens were also seen in the vicinity of the Georgetown Loop as well as elsewhere in the valley. The "Loop," although a monumental work of human genius and daring, has its peculiar attractions for the student of natural history, for in the canyon itself, which is somewhat open and not without bushy haunts, and on the precipitous mountain sides, a few birds set up their Lares and Penates, and mingle their songs of domestic felicity with the roar of the torrent and the passing trains. Darting like zigzag lightning about the cliffs, the broad-tailed humming-bird cuts the air with his sharp, defiant buzz, until you exclaim with the poet: "Is it a monster bee, Or is it a midget bird, Or yet an air-born mystery That now yon marigold has stirred?" [Illustration: "_Solo singing in the thrush realm_"] Among the birds that dwell on the steep mountain sides above the "Loop" hollow are the melodious green-tailed towhees, lisping their chansons of good-will to breeze and torrent, while in the copse of asps in the hollow itself the warbling vireo and the western flycatcher hold sway, the former rehearsing his recitative all the day long, and the latter chirping his protest at every human intrusion. On a pine-clad shelf between the second fold of the "Loop" and what is known as the "Great Fill" I settled (at least, to my own satisfaction) a long-disputed point in regard to the vocalization of the mountain hermit thrush. Again and again I had noticed a peculiarity about the hermit's minstrelsy--whenever the music reached my ea
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