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exceeding veneration with all the tribes of the west, especially with the Ricaras, and that whenever they passed them, and they often deviated many miles from their path for that purpose, they never failed to make an offering, generally of some ornament, or valued part of their dress, or martial equipment, to propitiate the intelligences supposed to inhabit the statues, and render them favourable to their wants and wishes, and to their success in war, or the chace He saw that the continued observance of this rite for a long period, probably for ages, had collected around the "Idols" a large heap of stones, sticks, blankets, deer-skins, eagle's' feathers, &c., but he had remained till now in ignorance of the tradition, which assigned to them a past existence as human beings. He knew that every thing which is not in the common order of things, even a tree singularly shaped, or presenting an unusual excrescence, a blade of grass twisted into an uncommon form, a berry or a stalk of maize growing to an unusual size, become, in the eyes of these wild and superstitious children of the forest, invested with supernatural interest; but he had supposed that it was the mere resemblance which these statues bore to human beings that had caused the Indians to regard them as objects worthy of the most hallowed form of their rude worship. It may be as well to say in this place, what I had contemplated making the subject of a note. It is this--that Indian poetry always wants the correspondence of the last sound of one verse with the last sound or syllable of another. There cannot, I imagine, be found a single instance of their having attempted to produce the "harmonical succession of sounds," which has imparted so much richness and beauty to the cultivated languages. It is necessary to state this, that my readers may not suppose that the omission to make the lines rhyme grew out of an attempt to give to the poetry an appearance of greater originality, and of greater singularity and wildness, the supposed first step to success. I could not, consistently with my determination to represent truly the manners and customs of that interesting and hard-used race in their own style and method, attempt to introduce rhyme into their rude lyrics. The poetry I have given, though it may want the inspiration of Indian poetry, will be found to possess its method. Another trait of Indian poetry to be noticed is the frequent repetition of favourite passa
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