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n not elsewhere to be found respecting the social condition, the politics, and the state of religion in a highly interesting region, our knowledge of which has hitherto been of the slightest description. Next to this, in interest, is the account of Aleppo, which has been less visited by English travellers than Damascus; but even at Damascus, the information of this writer has considerable novelty, and embraces many points of interest arising from his leisurely sojourn, from his mixing more than other travellers with the native population, and from his ability to converse with them in their own language. Hence we have pictures more distinct in their outlines, facts more positive, and information more real than the passing traveller, ignorant of the local language, can be reasonably expected to exhibit ... makes larger additions to the common stock of information concerning Syria, than any work which could easily be named since 'Burckhardt's Travels in Syria' appeared."--_Eclectic Review_. "Remarkably clever and entertaining."--_Times_. "In many of the conversations and reports in this volume, there seems to us a _reality_, which European writing and discourse often want."--_Spectator_. "I willingly testify to the fact of your having enjoyed facilities over all our modern travellers, for accurately describing the manners, customs, and statistics of Syria."--_Letter of Mr. Consul-General Barker_. For a detailed analysis, see _Athenaeum_, 24th Aug. 1844. LONDON: LONGMAN & CO., PATERNOSTER-ROW. End of the Project Gutenberg EBook of Servia, Youngest Member of the European Family, by Andrew Archibald Paton *** END OF THIS PROJECT GUTENBERG EBOOK SERVIA *** ***** This file should be named 16999.txt or 16999.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/9/9/16999/ Produced by Digital & Multimedia Center, Michigan State University Libraries., Marilynda Fraser-Cunliffe, Sankar Viswanathan, and Distributed Proofreaders Europe at http://dp.rastko.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms
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