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nd women wielding the pen practically and powerfully for the right. It is acknowledged on all hands in this country, that England has the greatest dead poets, and America the greatest living ones. The poet and the true Christian have alike a hidden life. Worship is the vital element of each. Poetry has in it that kind of utility which good men find in their Bible, rather than such convenience as bad men often profess to draw from it. It ennobles the sentiments, enlarges the affections, kindles the imagination, and gives to us the enjoyment of a life in the past, and in the future, as well as in the present. Under its light and warmth, we wake from our torpidity and coldness, to a sense of our capabilities. This impulse once given, a great object is gained. Schiller has truly said, "Poetry can be to a man, what love is to a hero. It can neither counsel him nor smite him, nor perform any labour for him, but it can bring him up to be a hero, can summon him to deeds, and arm him with strength for all he ought to be." I have often read with pleasure the sweet poetry of our own Whitfield of Buffalo, which has appeared from time to time in the columns of the _North Star_. I have always felt ashamed of the fact that he should be compelled to wield the razor instead of the pen for a living. Meaner poets than James M. Whitfield, are now living by their compositions; and were he a white man he would occupy a different position. After remaining a short time, and reading the epitaphs of the departed, we again returned to "The Knoll." Nothing can be more imposing than the beauty of English park scenery, and especially in the vicinity of the lakes. Magnificent lawns that extend like sheets of vivid green, with here and there a sprinkling of fine trees, heaping up rich piles of foliage, and then the forests with the hare, the deer, and the rabbit, bounding away to the covert, or the pheasant suddenly bursting upon the wing--the artificial stream, the brook taught to wind in natural meanderings, or expand into the glassy lake, with the yellow leaf sleeping upon its bright waters, and occasionally a rustic temple or sylvan statue grown green and dark with age, give an air of sanctity and picturesque beauty to English scenery that is unknown in the United States. The very labourer with his thatched cottage and narrow slip of ground-plot before the door, the little flower-bed, the woodbine trimmed against the wall, and hanging its blossom
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