ent State of Wit'] I have made mention to [Erasmus]
Lewis."[11] Gay, ever anxious to please those whom he liked and,
perhaps, especially those who might be of use to him, when writing the
verses, "On a Miscellany of Poems to Bernard Lintott" (which appeared in
that publisher's _Miscellany_ issued in May, 1712), eagerly took
advantage to ingratiate himself with a number of people, in so far as he
could do this by means of compliments. Gay tells the publisher that if
he will only choose his authors from "the successful bards" praised by
the author, then "praise with profit shall reward thy pains"; and--
So long shall live thy praise in books of fame,
And Tonson yield to Lintott's lofty name;
but, since an author should not praise one publisher at the expense of
another, he has already had a kindly word for that more celebrated
publisher, Jacob Tonson--"Jacob's mighty name." It may be mentioned in
passing that Gay's "Poems on Several Occasions" bear the joint imprint
of Lintott and Tonson. Gay waxed eloquent in these verses, when
writing of the other contributors to the _Miscellany_, and bestowed
praise upon his brother-poets in no measured quantity:--
Where Buckingham will condescend to give
That honour'd piece to distant times must live;
When noble Sheffield strikes the trembling strings,
The little loves rejoice and clap their wings.
Anacreon lives, they cry, th' harmonious swain }
Retunes the lyre, and tries his wonted strain, }
'Tis he,--our lost Anacreon lives again. }
But when th' illustrious poet soars above
The sportive revels of the god of love,
Like Maro's muse he takes a loftier flight,
And towers beyond the wond'ring Cupid's sight.
If thou wouldst have thy volume stand the test,
And of all others be reputed best,
Let Congreve teach the list'ning groves to mourn,
As when he wept o'er fair Pastora's urn.[12]
Let Prior's muse with soft'ning accents move,
Soft as the strain of constant Emma's love:
Or let his fancy choose some jovial theme.
As when he told Hans Carvel's jealous dream;
Prior th' admiring reader entertains,
With Chaucer's humour, and with Spenser's strains.[13]
Waller in Granville lives; when Mira sings
With Waller's hands he strikes the sounding strings.
With sprightly turns his noble genius shines,
And manly sense adorns his easy lines.
On Addison's sweet lays attention waits,
And silence guards the place
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