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Ministers 'hiss, etc.'--and ten to one they will be ready to grease you when you are fat. "I hope your new Duchess will treat you at the Bath, and that you will be too wise to lose your money at play. "Get me likewise Polly's mezzotinto. "Lord, how the schoolboys at Westminster and university lads adore you at this juncture! Have you made as many men laugh as ministers can make weep." * * * * * Colley Cibber, in his "Apology" said that "Gay had more skilfully gratified the public taste than all the brightest authors that ever wrote before him," and although this was undoubtedly a piece of friendly exaggeration, it is a fact that John Gay was now a personage. "Mr. Gay's fame continues; but his riches are in a fair way of diminishing; he is gone to the Bath," Martha Blount wrote to Swift, May 7th;[23] and two months later, with great pride, Gay told Swift, "My portrait mezzotinto is published from Mrs. Howard's painting."[24] Indirectly, he secured further notoriety when, in the summer, Lavinia Fenton, who had played the heroine in the Opera, ran away with a Duke. "The Duke of Bolton, I hear," he wrote to Swift from Bath, "has run away with Polly Peachum, having settled L400 a year on her during pleasure, and upon disagreement L200 a year."[25] She had played in the whole sixty-three performances of the Opera, the forty-seventh performance being set aside for her benefit. The sixty-third performance took place on June 19th, and that was her last appearance on the boards of a theatre. In 1751, shortly after the death of his wife, the Duke married her, she being then about forty-three, and he sixty-six.[26] [Footnote 1: Swift: _Work_ (ed. Scott), XVII, p. 157.] [Footnote 2: _Ibid_., XVII, p. 162.] [Footnote 3: _See_ p. 41 of this work.] [Footnote 4: Spence: _Anecdotes_ (ed. Singer), p. 159.] [Footnote 5: Pope: _Works_ (ed. Elwin and Courthope), VII, p. 111.] [Footnote 6: Boswell: _Life of Johnson_ (ed. Hill), II, p. 368.] [Footnote 7: Spence: _Anecdotes_, p. 159.] [Footnote 8: Dr. Herring: _Sermons_ (1763), p. 5.] [Footnote 9: _Annual Register_ (1773), I, p. 132.] [Footnote 10: Genest: _History of the Stage_, III, p. 223.] [Footnote 11: _History of Music_, V, p. 317.] [Footnote 12: _Lives of the Poets_ (ed. Hill), III, p. 278.] [Footnote 13: Boswell: _Life of Johnson_ (ed. Hill), II, p. 367.] [Footnote 14: _Plays Written by Mr. John Gay: With an Acco
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