f the advent of her son Tmouth, and of her death which
took place in the tenth year of the reign of Cleopatra. As the visitor
progresses with his inspection of these tablets, he will be more and
more struck with the minute revelations they afford of the subdivision
of labour among the ancient Egyptians. For instance, one tablet (148)
is that of a superintendent of the builders of the palaces of Thothmes
IV. in Abydos; another (149) is that of a scribe of the royal
quarries; a third (150) is that of a Theban judge, on the lower part
of which are representations in yellow, in the style of the nineteenth
dynasty, of the transport of the corpse, and other funeral ceremonies;
a fourth (154) is that of a royal usher; a fifth is that of Pai, a
queen's officer, among the illustrations of which a tame cynocephalus
may be noticed. The tablet marked 159 is a very ancient specimen. It
is that of Rutkar a priest, who is represented, in company with his
wife, surveying the domestic occupations of his dependents. The tablet
from Thebes, of Baknaa, a master of the horse in the reign of
Sesostris is marked 164. Here the deceased is represented adoring a
group of deities. The other tablets in this vicinity are chiefly of
the time of Rameses II. or III, and are in honour of scribes and other
functionaries immediately connected with the court. Two sepulchral
tablets from Sakkara are interesting. That marked 184 is in honour of
a priestess of Phtha named Tanefer-ho. The pictorial embellishments
represent the priestess about to be introduced to Osiris and other
deities by Anubis and other presiding spirits of the tomb. This
specimen bears the date of the nineteenth year of the reign of Ptolemy
Auletes. The second tablet from Sakkara (188) is that of an ancient
pluralist named I-em-hept, who is represented introduced to Osiris and
other deities by Anubis and his brother spirits or genii. The
inscription below, in the vulgar character of the ancient Egyptians,
is supposed to begin with the sixth year of Cleopatra. Near these
tablets is one in dark granite, of a date before the twelfth dynasty
(187) in honour of Mentu-hept, a superintendent of granaries and
wardrobes. The next tablet to which the visitor's attention should be
directed, is one crowded with symbolic animals and deities (191). It
is that of a functionary named Kaha, who is adoring Chiun, standing on
a lion, and grasping snakes, with Horus and other deities. Asi, a
military chief an