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ries not reverenced even by the Church that developed them, were legitimate material for any use he could make of them; he felt that in dressing them up with his wit and fancy he was harming nothing that existed, nor making any one look lightly on the religion of Christ or the Church of Christ: and that they were the property of an opposing church body was a happy thought to set his conscience at rest. He wrote them thenceforth with greater peace of mind and added satisfaction, and no doubt really believed that he was doing good in the way he alleged. And if the excuse gave to the world even one more of the inimitable 'Legends,' it was worth feeling and making. Barham's nature was not one which felt the problems and tragedies of the world deeply. He grieved for his friends, he helped the distresses he saw, but his imagination rested closely in the concrete. He was incapable of _weltschmerz_; even for things just beyond his personal ken he had little vision or fancy. His treatment of the perpetual problem of sex-temptations and lapses is a good example: he never seems to be conscious of the tragedy they envelop. To him they are always good jokes, to wink over or smile at or be indulgent to. No one would ever guess from 'Ingoldsby' the truth he finds even in 'Don Juan,' that "A heavy price must all pay who thus err, In some shape." But we cannot have everything: if Barham had been sensitive to the tragic side of life, he could not have been the incomparable fun-maker he was. We do not go to the 'Ingoldsby Legends' to solace our souls when hurt or remorseful, to brace ourselves for duty, or to feel ourselves nobler by contact with the expression of nobility. But there must be play and rest for the senses, as well as work and aspiration; and there are worse services than relieving the strain of serious endeavor by enabling us to become jolly pagans once again for a little space, and care naught for the morrow. AS I LAYE A-THYNKYNGE THE LAST LINES OF BARHAM As I laye a-thynkynge, a-thynkynge, a-thynkynge, Merrie sang the Birde as she sat upon the spraye; There came a noble Knighte, With his hauberke shynynge brighte, And his gallant heart was lyghte, Free and gaye; As I laye a-thynkynge, he rode upon his waye. As I laye a-thynkynge, a-thynkynge, a-thynkynge, Sadly sang the Birde as she sat upon the tree
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