But I never had any doubt I could do it.

"I began with him like you'd feed a starving man. I showed him the
horse-cars on Broadway and the Staten Island ferry-boats. And then I
piled up the sensations on him, but always keeping a lot of warmer
ones up my sleeve.

"At the end of the third day he looked like a composite picture of
five thousand orphans too late to catch a picnic steamboat, and I was
wilting down a collar every two hours wondering how I could please him
and whether I was going to get my thou. He went to sleep looking at
the Brooklyn Bridge; he disregarded the sky-scrapers above the third
story; it took three ushers to wake him up at the liveliest vaudeville
in town.

"Once I thought I had him. I nailed a pair of cuffs on him one morning
before he was awake; and I dragged him that evening to the palm-cage
of one of the biggest hotels in the city--to see the Johnnies and the
Alice-sit-by-the-hours. They were out in numerous quantities, with the
fat of the land showing in their clothes. While we were looking them
over, Solly divested himself of a fearful, rusty kind of laugh--like
moving a folding bed with one roller broken. It was his first in two
weeks, and it gave me hope.

"'Right you are,' says I. 'They're a funny lot of post-cards, aren't
they?'

"'Oh, I wasn't thinking of them dudes and culls on the hoof,' says he.
'I was thinking of the time me and George put sheep-dip in Horsehead
Johnson's whisky. I wish I was back in Atascosa City,' says he.

"I felt a cold chill run down my back. 'Me to play and mate in one
move,' says I to myself.

"I made Solly promise to stay in the cafe for half an hour and I hiked
out in a cab to Lolabelle Delatour's flat on Forty-third Street. I
knew her well. She was a chorus-girl in a Broadway musical comedy.

"'Jane,' says I when I found her, 'I've got a friend from Texas here.
He's all right, but--well, he carries weight. I'd like to give him a
little whirl after the show this evening--bubbles, you know, and a
buzz out to a casino for the whitebait and pickled walnuts. Is it a
go?'

"'Can he sing?' asks Lolabelle.

"'You know,' says I, 'that I wouldn't take him away from home unless
his notes were good. He's got pots of money--bean-pots full of it.'

"'Bring him around after the second act,' says Lolabelle, 'and I'll
examine his credentials and securities.'

"So about ten o'clock that evening I led Solly to Miss Delatour's
dressing-room, and her maid le