bel, very
quietly; 'some change the climate for their health.'

'Did Lord Cadurcis, mamma?' asked Venetia.

'I do not know Lord Cadurcis, dear, or anything of him, except that he
is a very old man, and has no family.'

At this moment there was a sound of bars and bolts withdrawn, and the
falling of a chain, and at length the massy door slowly opened, and
the old man appeared and beckoned to them to enter.

''Tis eight years, come Martinmas, since I opened this door,' said the
old man, 'and it sticks a bit. You must walk about by yourselves, for
I have no breath, and my mistress is bedridden. There, straight down
the cloister, you can't miss your way; there is not much to see.'

The interior of the abbey formed a quadrangle, surrounded by the
cloisters, and in this inner court was a curious fountain, carved with
exquisite skill by some gothic artist in one of those capricious moods
of sportive invention that produced those grotesque medleys for which
the feudal sculptor was celebrated. Not a sound was heard except the
fall of the fountain and the light echoes that its voice called up.

The staircase led Lady Annabel and her party through several small
rooms, scantily garnished with ancient furniture, in some of which
were portraits of the family, until they at length entered a noble
saloon, once the refectory of the abbey, and not deficient in
splendour, though sadly soiled and worm-eaten. It was hung with
tapestry representing the Cartoons of Raffael, and their still vivid
colours contrasted with the faded hangings and the dingy damask of the
chairs and sofas. A mass of Cromwellian armour was huddled together in
a corner of a long monkish gallery, with a standard, encrusted with
dust, and a couple of old drums, one broken. From one of the windows
they had a good view of the old walled garden, which did not
tempt them to enter it; it was a wilderness, the walks no longer
distinguishable from the rank vegetation of the once cultivated lawns;
the terraces choked up with the unchecked shrubberies; and here and
there a leaden statue, a goddess or a satyr, prostrate, and covered
with moss and lichen.

'It makes me melancholy,' said Lady Annabel; 'let us return.'

'Mamma,' said Venetia, 'are there any ghosts in this abbey?'

'You may well ask me, love,' replied Lady Annabel; 'it seems a
spell-bound place. But, Venetia, I have often told you there are no
such things as ghosts.'

'Is it naughty to believe in ghosts,