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untess, "what do you think my husband could have done with an old man of eighty whose sole accomplishments are weighing the wind, writing verses, and talking mythology?" "He would have been useful enough," said the husband, "if he could have managed the estate, but the honest old man will not believe in the existence of rascals. He is so learned that he is quite stupid." "Good heavens!" cried Clementine. "Sardini stupid? It is certainly easy to deceive him, but that is because he is so noble. I love a man who is easily deceived, but they call me silly." "Not at all, my dear sister," said the countess. "On the contrary, there is wisdom in all you say, but it is wisdom out of place in a woman; the mistress of a household does not want to know anything about literature, poetry, or philosophy, and when it comes to marrying you I am very much afraid that your taste for this kind of thing will stand in your way." "I know it, and I am expecting to die a maid; not that it is much compliment to the men." To know all that such a dialogue meant for me, the reader must imagine himself most passionately in love. I thought myself unfortunate. I could have given her a hundred thousand crowns, and I would have married her that moment. She told me that Sardini was at Milan, very old and ill. "Have you been to see him?" I asked. "I have never been to Milan." "Is it possible? It is not far from here." "Distance is relative, you know." This was beautifully expressed. It told me without any false shame that she could not afford to go, and I was pleased by her frankness. But in the state of mind I was in I should have been pleased with anything she chose to do. There are moments in a man's life when the woman he loves can make anything of him. I spoke to her in a manner that affected her so that she took me into a closet next to her room to shew me her books. There were only thirty in all, but they were chosen, although somewhat elementary. A woman like Clementine needed something more. "Do you know, my dear Hebe, that you want more books?" "I have often suspected it, dear Iolas, without being able to say exactly what I want." After spending an hour in glancing over Sardini's works, I begged her to spew me her own. "No," said she, "they are too bad." "I expect so; but the good will outweigh the bad." "I don't think so." "Oh, yes! you needn't be afraid. I will forgive the bad grammar, bad style, absur
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