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Project Gutenberg's Travels Through France and Italy, by Tobias Smollett This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Travels Through France and Italy Author: Tobias Smollett Posting Date: November 28, 2009 [EBook #2311] Release Date: September, 2000 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK TRAVELS THROUGH FRANCE AND ITALY *** Produced by Martin Adamson. HTML version by Al Haines. Travels Through France And Italy By Tobias Smollett INTRODUCTION By Thomas Seccombe I Many pens have been burnished this year of grace for the purpose of celebrating with befitting honour the second centenary of the birth of Henry Fielding; but it is more than doubtful if, when the right date occurs in March 1921, anything like the same alacrity will be shown to commemorate one who was for many years, and by such judges as Scott, Hazlitt, and Charles Dickens, considered Fielding's complement and absolute co-equal (to say the least) in literary achievement. Smollett's fame, indeed, seems to have fallen upon an unprosperous curve. The coarseness of his fortunate rival is condoned, while his is condemned without appeal. Smollett's value is assessed without discrimination at that of his least worthy productions, and the historical value of his work as a prime modeller of all kinds of new literary material is overlooked. Consider for a moment as not wholly unworthy of attention his mere versatility as a man of letters. Apart from Roderick Random and its successors, which gave him a European fame, he wrote a standard history, and a standard version of Don Quixote (both of which held their ground against all comers for over a century). He created both satirical and romantic types, he wrote two fine-spirited lyrics, and launched the best Review and most popular magazine of his day. He was the centre of a literary group, the founder to some extent of a school of professional writers, of which strange and novel class, after the "Great Cham of Literature," as he called Dr. Johnson, he affords one of the first satisfactory specimens upon a fairly large scale. He is, indeed, a more satisfactory, because a more independent, examp
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